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This newspaper page contains 11 articles. Subscribers can read the full text of each article.
Newspaper
The Clermont Courier
Location
Batavia, Ohio, United States of America
Date
Jun 13, 1928
Page
6
A readerly reflection on love, money, and the the paradoxes of life. It muses that real amusement comes from liking what one endures and that love complicates choices in marriage and fate. The piece contrasts cynical wins with idealistic losses and ends noting the copyright.
John Blake argues that location shapes life but real vision comes from education and thought Reading broadens outlook beyond one's surroundings and common wealth cannot guarantee true freedom from mental blindness Attic reading and reflection elevate perspective more than views from mansions
HB collecting of prints grows popular reaching modest homes. The article traces printmaking origins from Tomaso Finta and describes etchers woodcutters and engravers shaping this enduring art.
Poem reflects on life and living, contrasting outward pursuits with inner conscience and modesty. It critiques material concerns and social rituals while urging genuine virtue and a quiet mind as true treasure. Written in 1928 by Douglas Malloch.
A note on copper plate engravings from the mid fifteenth century depicting the Passion. It mentions two renowned later engravers, Albrecht Durer born 1471 and Michelangelo born 1474, as pivotal figures in the art’s evolution.
Folklore divides trees as living spirits or dwellings for tree gods and dryads. Junipers are noted as favored habitation trees in many cultures, with myths of sentience, protective powers, and dreams predicting male births. Newfoundland lore even ties juniper to guarding venison and warding beasts.
A humorous scene unfolds as Miss Hen Rooster and gallery of barnyard animals chatter about food and wake at dawn. The animals debate friendliness and hunger until breakfast finally arrives, ending the bustle.
A 1928 Western Newspaper Union recipe feature suggests lighter meats and increased vegetables and fruits for warmer weather. It includes Chicken Loaf With Peas with a foamy cream filling and a pea stuffing, and Chop Suey With Liver served over seasoned boiled rice.
A New York woman traveling through spring mud to a New England cemetery reflects that travel felt like returning to a time when impossibilities existed. The remark echoes Maeterlinck’s Blue Bird theme of empty tombs and lilies, as absence of death is linked to overcoming limits.
In Tit-Bits commentary, observers remark on Flossie’s development and exposure, noting her notable advancement and a playful critique of overexposure in a modern portrait context.
Commentary notes that while youths may avoid spanking, life imposes tough experiences on young people. The piece underscores society’s pressures and expectations shaping character amid adversity. Strong emphasis on resilience and social critique without sensational detail.
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