The Devil at Flollis Street Theatre in Boston
Critics praise Molnar's The Devil as a stark study of temptation with Dr Miller as Satan. Edwin Stevens leads in a bold portrayal while Jane Oakes and Paul McAllister support a two week Hollis run.
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Newspaper
Boston Post
Location
Boston, Massachusetts, United States of America
Date
Jan 19, 1909
Page
8
Critics praise Molnar's The Devil as a stark study of temptation with Dr Miller as Satan. Edwin Stevens leads in a bold portrayal while Jane Oakes and Paul McAllister support a two week Hollis run.
The Fay Foster burlesquers and California Girls at the Columbia present a lively program with operatic arias rendered in a light burlesque style. May Orletta and Fred W. Taylor shine in two appealing numbers amid strong comedy, acrobatics, and a bustling cast.
The Globe hosts Lew Dockstader and company for a three week run ending Saturday. Neil O'Brien sketches The House of Rest while Al Jolson debuts with Boston success. Doekstader’s Politics Under Water lampoons Taft. George M. Cohan’s Forty Five Minutes from Broadway opens Monday matinee with Isid Burns starred.
The Tremont Theatre presents The Follies of 1908 a sparkling musical comedy in its fourth week. The show features a dozen topliners including Harry Watson and Billie Reeves with referee Jacek Norworth and Arthur Deagon the Rajah of Broadway. Nora Bayes Annabelle Whitford Nell Brinkley Girls and Mlle. Dazie headline with lively dances songs and amusing acts including a German comedy sketch.
Boston audiences await the Colonial Theatre premiere of Little Nemo produced by WKlan and Erlanger. The company promises a spectacular, all American spectacle with a strong cast including Master Gabriel Joe Cawthorne Billy B. Van and others. The engagement is scheduled for Monday evening and will be limited.
Wee Laddie Waddell, famed juvenile Scottish singer, draws encores at Theatre Comique this week. Mildred Simerson and Eva Young charm patrons, while Carry Kelley debuts as tenor. Films include The Criminal Eryptnotist and Married Twice, with The Pride of the Gamekeeper and The Guardian Angel among strong features. A Hot Remedy provides comic relief and travelogues feature Maine hunting scenes and big game.
The Scenic Temple remains crowded each evening regardless of fair or stormy conditions. This week features a laughing entertainment with bright humor and strong comedy. The motion picture exhibit includes several unusually funny films. The show’s program is varied and well balanced, with an operatic interpolation by the orchestra providing a musical treat.
Fanny Arnold the actress marries Vernon Bantock and enters Bantock Hall as Lady Bantock, facing initial shock from relatives before love and wit triumph. Fannie Ward shines in Jerome Ix four act comedy with strong support from Cartwright Dean McGrane McWade Repton and Grey.
Review lauds Sue Marshall in The Cowboy Girl set in New Mexico. Marshall shows versatility as Gyp Clyde with H Leburn Richardson and eight girls in song and comedy. The ensemble delivers fine voice and acting with Turner as a convincing villain. overall, a clever, strong troupe worth seeing.
Alistair MacWilkie the bonny Scot with a vast beard showcased at Austin and Stone's Museum along with Randion the armless three legged horse and Zip the bulleted head freak. The day featured bagpipes, Scottish airs, variety acts, moving pictures, and a lively music comedy by the Manhattan Girls with Powell and Steele.
The Hub Theatre in Boston offers a low price bill with The Great Roland as headline illusionist for the week. Black and Grant and Murthy appear for three days, with Spaulding and Maud Weston headlining illustrated ballads. The picture program features varied emotional, sensational, and comic films and a ladies orchestra provides instrumental numbers. A new Thursday program combines vaudeville pictures songs and singers.
Klaw & Erlanger present Little Nemo from the Sunday Post on January 2 at the Colonial Theatre Boston. The stage adaptation of Winsor McCay’s Slumberland tales features Nemo Flip Dr Pill and others with a strong patriotic theme and elaborate scenery. The production, praised in New York and Philadelphia, stars Gabriel as Nemo and Billy B. Van and Harry Kelly in key comic roles. The show blends spectacular stage effects with an American tale and promises a lively, all-American musical comedy experience.
The Colonial Theatre presents Polly of the Circus with Mabel Taliaferro in the title role ushering in the final week. The rural comedy and circus world unfold with Taliaferro's charming performance and strong dramatic moments, praised for its scene design and overall charm.
Wiarry Lauder is held over for a final week at the Orpheum Theatre with his songs stories and Scottish brogue. Grace Hazard charms as a sailor boy and lassie while Eddie Girard and Jessie Gardner debut a fresh Officer Dooley sketch. Veas Deas Fred Rivenhall the Stewart Sisters Piottis Revel & Derry and other acts fill the bill with lively routines and the Rose story praised.
The Castle Square Theatre opens another week of The Circus Girl with Mary Young as the central figure and the John Craig stock company delivering lively musical comedy. Gertrude Binley and the supporting cast receive praise as the show continues to attract eager Boston audiences.
The program at Heith's Theatre features Kyrmack the chameleon comedian, Clarice Mayne with James W. Tate at piano, Verx artistic singing, H l urvrigan the whimsical tramp juggler, and Howard and North with a sketch titled Back Home. The Brothers Byrne acrobats, Birdland by Jesse Lasky, Nichols sisters blackface act, Frank Whitman dancing violinist, Reed brothers gymnasts, and Worthleys also perform alongside a balloon Paris photoplay.
Rice and Barton’s Rose Hill English Folly company staged the Knights of the Red Garter burlesque at the Palace Theatre. George W. Rice and T Ff Thomas lead with John E. Cain Andy MelLoud and Harry DeShon. Trdvila Viner stars with Beatrice Wheeler Flossy Galer and Blanche Newcomb. The vaudeville bill features Blanche Newcomb The Kid John Ff Cain James Bogard Nina York Idylla Viner and a Star Quartet.
Fred R. Doherty praised the Howard Atheneum show as the Champagne Girls delivered two parlor pieces by Charley Nichols titled Gay Coney Island and On the Frontier. Marie Croix led the chorus with strong voices as Bessie Steiger Wis and others starred in musical numbers and various acts by Keula Walton, Murphy and Frances, and the Armstrongs. The program included trapeze stunts by Silvern and Minerie and a lively mix of comedy juggling and singing.
Bowdoin Square Theatre patrons enjoyed Charlotte Hunt back in the lead as The Stowaway played by a strong stock company. Hal Clarendon shines as Tom Ingliss and James Barrett as Hetherington with Rose Tiffany as the desert ed wife. The production runs one week with matinee and evening shows amid cheerful motion pictures.
Weber and Rush present a lavish bill at the Gaiety Theatre with the Parisian Widows, featuring six men and two women in a remarkable acrobatic display that drew wild applause. Ben Pierre and Margie Hilton headline alongside Kelso Leighton Hawley Bentley, with "All Nations" finale and "You're Just the Boy for Me" proving popular with audiences.
The Linus Theatre offered a varied yesterday program that kept the audience engaged. Professor Belton, a new addition to the entertainers, gave a striking lecture on The Sergeant's Stripes. Other films and songs drew favorable note from attendees.
In Cleveland on January 18, President Harry Pulliam and Ban Johnson led a schedule committee from the two major leagues to compare tentative 1909 season dates. The opening slate includes American League games such as Boston at Philadelphia and Cleveland at St Louis, with several conflicts yet unresolved. The plan calls for a Chicago meeting with club representatives in a few weeks to finalize the schedule.
Chicago January 18 captain Adrian Anson may be connected to the National League again at the spring meeting. President Murphy of the Chicago clubs says Anson should be appointed supervisor of umpires.
Pianist Heinrich Gebhard presented a varied program including Brahms Waldstein and Franck Prelude. The performance drew a large audience with nuanced tempo, though some moments missed peak intensity and the scherzo received playful criticism for tone.
Judith Noyes presented a program in Steinert Hall including songs and piano pieces with violin cello viola and voice. Performers Nathalie Patten and Marjorie Patten played violin and cello while Alice Rice Edith Woods and Jemile Ferrr sang and played. The reviewer notes a melodic style a hint of MacDowell and praises the Miss Patten string players though finds the trio opening work too long.
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