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This newspaper page contains 7 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Nov 26, 1935
Page
1
Barnard College semi weekly student bulletin announces publication during the college year and notes second class matter status for October 19 1928 at New York Post Office under the act of March 3 1879.
Editorial argues Barnard undergraduates avoid non academic events and open meetings. It notes attendance at the Political Union on U.S. Olympic participation and the Undergraduate Association meeting was scant, with a broad call for a middle ground between aloofness and overparticipation.
Readers name Query Columns and Forum as top picks for amusement and insight. Many favor front page headlines, About Town features, theatre and movie reviews, and editorials, with some preferring the whole issue and others focusing on notices or jokes.
A summary of the round table on Teaching from the Conference on Women's Work in Public Affairs held at the Hotel Astor New York. Dr Evenden outlined vast opportunities in teacher training across levels and roles, with rising education requirements and salary ranges.
Critics hail the Music Hall presentation treating Crime and Punishment as a successful blend of Dostoevsky and cinema. Peter Lorre and Edward Arnold deliver standout performances while some direction strains under the mood, and the finale’s pious glow unsettles a few viewers.
A critical review of Death to Morning argues the collection is a sequence of studies on loneliness rather than true short stories. It notes diminished spontaneity compared with Look Homeward, Angel and Wolfe’s earlier vitality, admiring only the Gants piece for returning to his strengths.
A brief summary notes George Moore as a pivotal yet imperfect figure in literary history. Charles Morgan stranded by missing correspondence abandons a definitive modern novel analysis. Moore’s lifelong discipline and single minded artistry shaped the shift from Victorian to modern narrative form.
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