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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Nov 22, 1935
Page
1
The Barnard Bulletin is issued semi weekly during the college year by the Students at Barnard College for the Undergraduate Association. It was entered as second class matter on October 19, 1928 at the New York NY post office under the act of March 3 1879.
The piece concedes a prior misstep and argues the true best interest for Barnard students is the fullest development of mental powers. It favors rigorous study and open mindedness over active involvement in social reform, warning against premature engagement without solid preparation.
Readers discuss Wigs and Cues new policy using real men in their plays. Opinions praise realism and stage seriousness while others defend traditional female casts and theatrical novelty. The letters reveal campus attitudes toward gender roles in drama at Barnard College.
Norman Thomas will discuss Socialism as the Way Out in the third Whither America series sponsored by the Social Science Forum. The talk is set for Monday November 25 at 4 p.m. in the College Parlor with tea served afterward. students are invited.
An open forum for student viewpoints where the Bulletin staff notes that opinions reflect contributors, not the paper. Readers are invited to share perspectives on campus life, governance, and social issues in a constructive exchange of ideas.
The Gershwin score blends with DuBose Heyward's play to deliver a high art yet folk rooted operatic experience. Rouben Mamoulian directs a strong cast in a staging praised for its color, rhythm, and emotional impact, marking a standout entertainment value.
James Friskin presented a Saturday recital on November 16 featuring Beethoven Pathetique, Schumann F sharp minor Sonata, Debussy Preludes, Bach Chromatic Fantasia and Fugue, and an organ Prelude and Fugue encore. His style showed independence from audience expectation, with new accents and rhythms, uneven yet vital, creating a personal interpretation of Bach, Beethoven, and Schumann.
Arthur Loesser presented the second of his three recitals in the Three Centuries of Music for the Pianoforte series on Friday evening November 18. He played nine-teenth century works by Mendelssohn Beethoven Schumann Chopin Brahms and Liszt with precise technique and nuanced shading. The Beethoven and Schumann received mixed responses and the program was described as competently rendered with notable depth of feeling. Loesser is noted for finish and sound technique and plans to present twentieth century music in GR in the near future to complete the series.
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