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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Apr 24, 1936
Page
1
The Barnard Bulletin issued semi weekly during the college year by the Undergraduate Association. It is entered as second class matter October 19, 1928 at the New York NY post office under the act of March 3 1879.
An editorial critique of Barnard College’s Wigs and Cues spring productions. The piece laments the cool reception, postponement issues, and low audience turnout at Brinckerhoff Theatre and calls for renewed student interest and better preparation for next fall’s shows. It questions blame, suggests shifts in timing, and urges immediate action to revitalize the drama club.
Forum note presents an undergraduate opinion piece with a disclaimer that the views do not reflect the Bulletin Staff. It introduces a reader submission to the editor and invites dialogue on campus topics.
At Barnard College the Social Science Union decided not to officially back the May Day parade this year though many members planned to participate. The event centers on Peace and Security with broad participation from socialist, communist, AFL locals, and arts groups amid calls for labor reform and student engagement.
Robert O'Connor’s Town Hall recital April 17 drew a mixed verdict. Medtner dances and Debussy pieces pleased, while Bach Italian Concerto and Franck works revealed technical gaps and tempo liberties. The Bach Chaconne impressed with strong technique, but overall shading and consistency remained lacking.
A cinema review of Desire starring Gary Cooper and Marlene Dietrich at the Paramount. Lubitsch directs a light comedy set in romantic Spain about a jewel theft plot involving Dietrich and Cooper with a happy ending. The piece praises Lubitsch and finds Dietrich and Cooper believable amid farce.
The Pro Arte Quartet with Anthony Pini performs Schubert Quintet in C major for two violins viola and two cellos. The record showcases faithful dynamics, accurate technique, and musical interpretation, arguing phonograph releases can rival live chamber music in intimacy and repeat play.
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