21 Apr 1936
Page 1
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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Apr 21, 1936
Page
1
Warnard Vulletin is issued semi weekly through the college year by Barnard College under the Undergraduate Association. Entered second class matter October 19, 1928 at New York post office under the 1879 act. Tuesday April 21 1936 No 43 Eunice Breitbart 39.
The piece argues the student peace strike should proceed despite objections to skipping 11 oclock classes. It frames the strike as a publicizing act against war, stressing moral impetus over immediate goals and urging widespread student participation in South Field.
A collage of college readers name classics and political works from Lincoln to Huxley. Autobiographies by Steffens and Morrow appear beside Dewey and Adams, with Swift and Tom Jones reflecting broader literary tastes. The list spans Puritan ideals, European politics, and modern sociology.
A collection of student letters from college newspapers shows concerns about campus life and national issues. Readers discuss post offices, air mail stamps, pacifism, dining room reforms, study notes, class attendance, aviation education, and women students in home economics.
A fragment lists books and authors with brief reactions, including Up From Slavery by Booker T. Washington described as liberalizing racial views, The Last Puritan by Santayana noted for self-critique, and Shelley's Epipsychidion referenced for inquiry.
Orson Welles stages a distinct Macbeth at Lafayette Theatre using a Negro jazz infused setting and unusual witches. Jack Carter and Edna Thomas star as Macbeths. a 120 member cast, Nat Karson costumes, Feder lighting, Virgil Thomson music, and Clarence Yates dances receive praise. Tickets range fifteen to fifty five cents enhancing accessibility and social value.
The film presents a sugar coated critique of wealth inequality as Gary Cooper inherits twenty million dollars and faces greedy suitors. He aims to distribute land to farmers while a judge declares him sane. Jean Arthur and Capra showcase restrained social commentary with charm.
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