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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Apr 09, 1935
Page
1
Editorial outlines Barnard Political Union's second meeting on whether war breeds fascism and the role of antiwar demonstrations. It discusses liberal pacifism versus suppression of extremism, balanced with democratic freedoms and the question if war can be a means to defeat fascism. The piece urges student support for the Friday demonstration.
Barnard College students are urged to support anti war measures during Anti War Week April 8 to 12. The Peace Action Committee seeks voter influence to back bills aimed at taxing profits from war, notably Nye Committee's plan and a broader McSwain proposal, urging students to sign postcards for two senators.
A critic finds Life Begins at Forty forgoes cinematic innovation, relying on Will Rogers’s familiar persona and a reheated small town plot. Richard Cromwell and Rochelle Hudson provide serviceable roles, Slim Summerville adds atmosphere, while the film and accompanying acts move slowly and lack spark, though some stage lighting evokes Ravel’s La Valse.
Miss Doty informs readers that Barnard College reports multiple New York State Civil Service exams with April 12 deadlines for positions including Assistant Social Worker and Junior Laboratory Technician. The U.S. Civil Service Commission lists exams such as Junior Biologist and Junior Plant Physiologist with April 15 deadlines. Announcements are posted on the Occupation Bureau Bulletin Board.
Joseph Cohen national secretary of the National Student League will address the Current Events Club at four this afternoon in the College Parlor on The Student Fights War. He will explain the League position on war and relate experiences in student movements against war and fascism.
Dance Mona Rani and her company performed a Hindi dance and song program at Town Hall on Wednesday evening April 3. The highlight was Miss Rani’s elaborate costumes with vivid blue and scarlet fabrics, bright trimmings, and heavy jewelry. musicians wore spotless white.
Art critic hails Renoir painting purchased by Barnes Foundation now shown at Pignon Gallery. Notes light handling and soft mood, compares to Manet Dejeuner sur l Herbe, critiques softness of forms, mentions The Judgment of Paris and other Renior works, plus Seurat and Corot in exhibit.
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