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Newspaper
Atlanta Constitution
Location
Atlanta, Georgia, United States of America
Date
Apr 07, 1911
Page
4
A brief masthead style notice lists Clare Howell as editor and Roby Robinson as business manager for the daily and Sunday tri weekly edition. The fragment confirms the publication’s leadership roles.
Atlanta April 7 1911 readers receive subscription rates for daily weekly and Sunday editions. Advertising managers Holliday and others announce Washington Bureau Hibbs Building hotel delivery radio contact and travel reps. Commentary covers Lorimer Taft Clark Roosevelt OGorman Bryan and national politics with a newspaper tone and notes on Congressional Record and weather bureau.
Judge Sanford in Chattanooga dismissed the Coca-Cola case, issuing peremptory instructions and ruling the government’s evidence insufficient. The piece accuses officials of malice and outside influence, likening the affair to an inquisition and warning taxpayers. It questions motives, cites economic stakes, and references Wickersham and federal spies in Atlanta.
The article urges rapid ratification of the Canadian reciprocity treaty. It argues Democratic unity in supporting the pact in the House and Senate, pins leadership on Republicans in the Senate, and warns against any double cross by insurgent Republicans who had clamored for tariff revision, calling for clear party responsibility.
Henry Clews argues that Japan should be a signatory to a permanent arbitration treaty among Great Britain and the United States. He says including Japan would complete the pact, ease tensions in the Far East, and reduce jingoism at home by offering a direct, broader framework for peace and shared influence.
A Norfolk Virginia spokesman to the Southern Commercial Congress lauds Atlanta as the model of the get there spirit. The Constitution reprints the comment noting Atlantans unity in city welfare, absence of dissension, and steadfast faith in their city and region, urging emulation by Norfolk.
A patchwork of dialect poetry and light verse sketches captures rural Georgia scenes. The piece traverses airships over fields, springtime tales from river life, and small-town happenings including mail trains, fishing, a melted church bell, and April lovers.
In Eastman Georgia William Co Clark displayed a deer skin Masonic apron worn by his great grandfather, dated 1793 from South Carolina. It features a gold leaf checkered floor and the two brazen pillars, preserved well despite its age. Other short notes describe local poultry feats and odd eggs in Cordele and Thomasville, with items on a bicycle for a minister in Commerce.
A Norfolk committee reports on the Southern Commercial Congress in Atlanta held the 8th to 10th. Norfolk sent seventeen delegates, Virginia the largest state delegation. Speakers praised the South’s resources and future growth, with many predicting southern manufacturing may rival the North. The report lauds Atlanta’s spirit and urges Norfolk to emulate its unity and determination.
A fragmentary verse scene recalls Hope, memory, and dreams at a graveyard. Imagery of moonbeams, willows, and faded Joy appears as a figure named Hope rises with wings. The tone hints at rebirth and a starry dawn breaking over a somber landscape.
The Hebrew Nabi denotes a divine inspired messenger. Joel is praised for lofty moral visions and imagery. Tebit likely dated to the second century B.C. by a Palestian Jew with limited geographical knowledge. Esther lacks any reference to God throughout. Chadwick notes this absence.
The London Chronicle notes many American towns bearing literary names. It lists Shakespeare linked capitals, Bacon, Miton Ry lons varieties, and poets honored in place names. It also catalogs Burns, Keats, Dickens, Thackeray, Carlyle, Ruskin, Racine, Hugo, Goethe, and Schiller among towns, while Spenser and Dante appear absent.
The Resourceful Count D Orsay dined at the Old Ship Hotel in Greenwich when an inscription linking his name to a German dancer was noticed. He plucked an orange from a dish, praised the fruit, and tossed it in the air before accidentally knocking over a display, upsetting nearby patrons.
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