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This newspaper page contains 8 articles. Subscribers can read the full text of each article.
Newspaper
Seattle Star
Location
Seattle, Washington, United States of America
Date
May 27, 1922
Page
3
Louis Joseph Vanc appears in an aged document with fragmentary text mentioning a person named Vanc. The note shows repeated echoes of the name and scattered phrases possibly referring to an individual and a locale. Further context is unclear from the legible portions.
Lucinda Druce, widow and former society matron, agrees to a trial as a movie actress under producer Lon taine in Los Angeles. She adopts the stage name Lucinda Lee and tours Zinn studios with Lynn Summerlad, contemplating a career shift to help her friends and reinvent herself in the American cinema.
A 1923 Seattie Mercury feature presents a travel sketch titled Tinted Travels detailing urban scenes and local curiosities. The piece chronicles wartime nostalgia, cultural notes, and everyday discoveries with a period newspaper voice.
Mr Sprinkle-Brow the Weatherman and pals conjure wind to scatter clouds hiding the moon. Comet-Legs boasted of locating the engine house that guides the moon and reversing its path. Nancy, Nick, Jek, and others speculate on the consequences as the tale continues.
The dialogue centers on Linda Lee and Lynn Summerlad at a Beverly Hills bungalow after a champagne toast. They discuss early screen work, salaries, and ambition with wry humor. Barry Nolan is named as the director who first engaged Summerlad, prompting surprised reaction. (Continued Monday)
In the domestic vignette a bride returns home after a try day at the Little Playhouse to a chaotic suite. The bed is unmade, clothes and towels lie about, and the kitchen is a mess with dishes piled high. She dons her white uniform and sets to restore order before her husband’s arrival.
A ten year old girl named Mamie survives a brutal Indian raid that massacres her family. With wounded arm and grief, she binds wounds, gathers food and water, and steals away into the forest as the attackers depart. The narrative portrays her as a lone survivor and pioneer figure.
An artistic narrator cherishes a small kitchen with gingham curtains and hanging pans. After a failed day of rehearsal and sewing, she breaks down crying, burns her fingers, and calms as her husband Jack returns from a tense business visit.
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