Shutting Out Jones From the Sources
A quirky dispute labels Jones an ignoramus as speculation explains his media withdrawal. The brief notes his personal grooming, wife’s haircut, and avoidance of reading sports sections as possible causes.
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This newspaper page contains 19 articles. Subscribers can read the full text of each article.
Newspaper
La Grande Evening Observer
Location
La Grande, Oregon, United States of America
Date
Jul 25, 1910
Page
6
A quirky dispute labels Jones an ignoramus as speculation explains his media withdrawal. The brief notes his personal grooming, wife’s haircut, and avoidance of reading sports sections as possible causes.
A brief dialogue notes he is very busy and urges constant productivity. It questions what he does, suggesting he works to persuade others he holds significance.
A light exchange about a house for sale features a buyer asking about status and a seller confirming ongoing plumbing maintenance by a weekly checked plumber. The dialogue hints at a well cared for property.
Humorous verse notes Simple Simon venturing to fish in his mother's water pall and failing to catch a whale. The tale implies an unseen sequel about microbes and a rapid book-baiting misadventure.
A conversation hints at a forthcoming engagement as Ethel considers marrying Jack. One party suggests the plan, while another notes Jack is blissfully unaware of the proposal yet. The exchange conveys excitement and secrecy around a potential marriage.
In a brief exchange, one asks about yachting interest and the other replies with affection for the sport. The dialogue then pivots to a question about the color scheme of a new costume, implying a lighthearted, fashion oriented moment.
A French optician patents a cane fitted with lenses and mirrors allowing a user to see over a crowd. A London surgeon introduces a stomach telescope used in a city hospital to inspect a patient’s stomach interior.
A pearl diver in the Gulf of California faced a large, shovel nosed shark while gathering pearl oysters. He blinded the predator by stirring mud to create cover, then escaped to the surface and was hauled aboard as the shark lunged. In a separate scene a mother tells Juliet to accept a suitor and lock the door, hinting at parental skepticism of boy lovers.
A brief from a diary anecdote recalls Juliet at fifteen dealing with a moonlit veranda caller. The shy youth seeks his chance and asserts maturity while Juliet aims to respond without hurting his feelings.
Local lore recalls a British cannonball striking a church steeple at l'Île-aux-Prim, splintering the bell into the sea and leaving a ghostly warning bell heard at dusk for storms and danger to seafarers.
The conversation hints at a crowded venue with a controversial decision. Participants discuss turnout and the idea of levying on the ward robes of the cast, suggesting tension over seating or access during the performance.
A brief dialogue notes that children were not saucy or impudent in the narrator’s youth and suggests they had a different sort of training. The exchange contrasts past and present child conduct and upbringing.
A terse note asserts the factory makes durable goods and invites orders to prove the wear resistance. The line hints at product testing and consumer purchase as proof of quality.
A satirical verse contrasts the stage prince who rules actors with a humane tailor’s distress. The gulf between pretense and reality widens as money speaks louder than moral acts. The poem ponders genuine poverty beside theatrical wealth and its hollow comforts.
In a courtroom exchange a candidate seeking bar admission deflects, claiming he knew little law yet testified as the sole knowledgeable witness. The judge questions him, and the candidate quips about lawyers reading many lawbooks before permitting testimony, concluding it would be a pity for knowledge to vanish. The judge then rules, You pass.
A prospective farm hand asks about food and work at the house. The farmer promises plenty to eat and ample work but warns there is always some drawback.
A dialogue reveals a man wishes to wed his stenographer and asks a twisty condition. She agrees to marry him only if she gets to choose his stenographers for him, setting a humorous balance of power and wit.
A terse dialogue frames work under pressure with lines about producing fine results and a steam roller as support during supper, highlighting a clash between foolishness and fact in the tone.
The dialogue skims truth and fabrication as two speakers volley lines about honesty and what they confess to thinking. A quick exchange probes how truth can be selective and personal.
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