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This newspaper page contains 15 articles. Subscribers can read the full text of each article.
Newspaper
Creston Daily Advertiser
Location
Creston, Iowa, United States of America
Date
Jun 01, 1927
Page
6
The lesson recounts Samuel presenting Israel before the Lord at Mizpeh, Saul being chosen by lot and revealed among the people, and the people's acclaim. It contrasts Saul’s rise with later warnings about power and pride, foreshadowing his downfall and eventual death after a life spiraling into jealousy and rage.
The International Uniform Sunday School Lesson outlines Saul’s selection as Israel’s first king from the tribe of Benjamin. It covers the prophet Samuel’s anointing, the signals of divine approval, and the congregation’s recognition at Mizpah as detailed in 1 Samuel 10 17 to 25.
The article recalls Israel’s demand for a king, Samuel’s reluctant choice, and Saul’s initial acceptance. It notes Saul’s stature, bashfulness, and early support, including a loyal band whose hearts God touched, before hinting at a later downfall.
The article explains tuberculous care emphasizes hygiene rest and fresh air with dietitian prepared meals. It notes strong emphasis on minerals vitamins carbs proteins fats and attractive presentation to stimulate appetite. Orange juice milk cream eggs and meat feature in sanatorium menus though overuse can blunt appetite.
The text outlines a ration for patients with milk given three times daily and varied beverages at fixed times such as 10 am chocolate malted milk 4 pm eggnog and 8 pm hot chocolate. It notes cream custard or ice cream butter and eggs provide vitamins proteins and rib. emphasizes easy digestion with roasted meats steamed vegetables and minimal boiling to preserve nutrients.
Diet for heart failure centers on milk and carbohydrates with a 2100 calorie plan. Patients rest in bed while fluids are restricted to about three pints daily and salt is minimized. Progression adds jelly crackers toast and pureed fruits as tolerated, with energy and food type increased as condition improves.
Club women of Emporia Kansas start a housekeeping course for working girls. The author notes that modern girls know much about interior decor and cooking, contrasting with older generations and highlighting issues in homes run by previous housekeepers.
The piece extols an era where home magazines newspapers and YWCA courses teach girls from humble homes proper table etiquette and decorum. It argues knives and spoons forks and portraits guide living room standards, praising the current age’s educational reach.
A nostalgic sketch recalls a generation of women who cleaned floors by hand and baked pork and beans on Saturday nights. The piece contrasts faded rituals with the lingering legend of a red rosy Brussels carpet and a dimmed parlour.
On air notes list WGY 6:50 p m Monday July 1 with orchestral orient themes. Other stations feature Silvertone oriental quartet at 7 p m WIS Dad Haskins and his Hicktown string band at 7 p m WADC Bankers Life string trio at 8 p m WHO KS James symphony orchestra at 8 p m WEAF The Dream.
Fragmented OCR list shows crossword style clues and word hints like horizontal entries, animal terms, musical references, and random numbers. The readable pieces include definitions such as ram, stoning, emancipate, aperture, and various terse phrases, but no coherent article or event.
The piece notes mercy and resilience amid overworked lives, affirming a cherished legend and its enduring presence despite hardship.
The writer laments changes in domestic life as some mothers reject traditional methods. He notes modern daughters and working wives increasingly per shape and actions, and argues these women manage homes better, despite outside work.
A fragment notes how aging adults adopt a method to appear fresher by dedicating time to care for their mothers while balancing chores at home. The passage hints at social pressures and generational care dynamics without specific names or places.
Sentence fragments depict a tense moment with a father shouting about a baby. The baby's crying continues as a man turns away, leaving the scene without full context or resolution.
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