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This newspaper page contains 8 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Jan 14, 1941
Page
1
Barnard Bulletin lists staff and board members for Editorial News and About Town sections. It includes names such as Jean Ackermann Eliza Blumner Naomi Goldstein Phyllic Leumeteaatea and others with class years, roles, and assignments across sections.
A humorous venting piece by Maggie Push Jr reflecting on radio culture and college life. It mocks ASCAP restrictions, mentions the Hit Parade and various composers, and satirizes engagement culture and wedding plans. The speaker riffs on music, education, and future jobs with playful nostalgia.
A playful verse recalls exam stress and station quizzes with Maggie hiding her light, warning about choosing between money and marriage and the risk of not securing employ. The piece riffs on school worries and the social consequences of study and love.
The article surveys campus debates on the crisis and potential war as the nation builds defenses and aids Britain. It argues that youth resist pro war propaganda, questions capitalism praise, and calls for educators to foster ideals beyond national progress. It ends with a note of good luck for exams.
A critique of Fantasia praises the Nutcracker suite and The Sorcerer's Apprentice as perfectly aligned with Disney visuals. It notes strengths in Dukas and Bach moments while calling some pieces mixed, and ends by hoping Disney will tackle further classics like A Midsummer Night's Dream and Danse Macabre.
A 175 student poll collected by the Curriculum Committee informs a forthcoming Faculty Committee on Instruction report. Major findings favor including highlights of literature in English A-1, optional courses in science, discussion periods, and a broad social problems course for all students.
The film relies on Ginger Rogers for life and is saved only by her performance. Sam Wood’s direction and MGM polish cannot lift Kitty Foyle from familiar ground. A sentimental ending and familiar plot reduce the story to a routine B film despite Rogers’s appealing portrayal.
A nine painting loan exhibition from the nineteenth century travels from South America to the Metropolitan Museum of Art in New York. The collection, displayed first in Buenos Aires and Rio de Janeiro, arrives after a journey begun before the Battle of France and will be shown in San Francisco before touring to Chicago. The Met show runs from January 28 to March 23, with further dates planned.
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