12 Dec 1933
Page 1
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This newspaper page contains 16 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Dec 12, 1933
Page
1
The document shows a semi weekly College Year publication by Barnard College students for the Undergraduate Association, issued during the academic term with breaks for vacation and exams.
A list of the editor in chief Gertrude Epstein and numerous managing editors, assistant editors, and exchange editors with class years from 1934 to 1937. The roster names Anna Jacobson Edith Kane Miriam Borgenicht Betty Luliice Adele Hagland Marian Patterson Elizabeth Jones Sally Popkin Helen Hartmann Sylvia Shimberg Edna Edelman Alice Semmes Rosalie Stecke Gertrude Douin Margery Ray Hilda Loveman Alice Ginsberg Elaine Goltz Helen Foster Gertrude Neary Sally Dermody Elinor Remer.
A list of staff and editors for town sections with yearbook class years. Names include Rose Somerville editor Hinde Barnett music Rita London cinema Blanche Goldman drama Margaret Rose Weiss books Naomi Diamond Margery Boys Jeanne Erlanger Printing Natale Joffe Clare Canny Ruth Kleiner with class years 34 34 35 35 34 35 35 34 36 37.
An editorial argues for reasoned debate over Luther's upcoming address at Horace Mann auditorium. It contrasts three university views on academic freedom, protest risks, and fascism, urging support for the Social Problems Club and condemning Nazi-era parallels and suppression of free expression.
Review of a pleasant light comedy focusing on two young people entering romance and the resulting social chaos. Junior Durkin and Joan Wheeler lead a cast that includes Leona Hogarth and Ralph Freud as supportive adults. The piece, while minor, offers natural performances and a lively mood amid stronger box office rivals.
The film blends strong performances with vivid background episodes shaping its characters. Notable figures include a Union League Club stiff, a defiant Tammany statesman, a radical critic of capitalism, a Harvard graduate, a rich murderess, a savvy switchboard girl, and a flirtatious socialite entwined with theft and betrayal.
The critique discusses Katherine Dreier and her exhibit at the Academy of Allied Arts. It notes her place in the second group of art, portraying abstract emotional themes beyond literal subjects. The reviewer commends her color sense and design while finding some pieces cold and difficult to grasp.
Miss Elizabeth Reynard of the English Department will give a lecture on the writing of Greek lyrics. She will explain important theory and requirements for correct composition and invites all interested in Greek Games lyrics to attend.
A brief notice from Daily Princetonian describing attire details for a return to 115 Walker. Urgent return requested with no questions asked.
A freshman at the University of Chicago faced tough exam questions and wrote that only God knows the answers. The instructor returned the paper adding God gets an A, you get an F, in a spirit of fairness.
Wellesley College students decide not to greet the same person multiple times daily as a campus habit aiming to curb fatigue and conserve speech.
Swarthmore College students in a psychology class caused a minor scene after the co eds, granted permission to smoke in class, entered the room with corn cobs. The professor remained calm and ordered the windows closed as the class fled the scene.
A physics student faces an oral exam about electricity. Question one asks What electricity The student hesitates then says you did know but I forgot The professor lamentingly remarks and praises the irony of forgetting what exists today
Bonus suggestions voiced by Connecticut residents claim exam royalties should be paid to the Ball Institute, while the issue is presented to the Polytechnic Reporter for publication. The debate centers on compensation for examination materials sold to humor publication outlets.
A new University of Alabama fraternity titled Mortal Coil Department aims to foster sympathy among scholars and remind members of intellectual ideals and social responsibility.
The exhibit features two full sized portraits in a distinct realistic style and Katheyi Dreier's early church paintings. The works reveal her design and line sense but show a search to express more than mere figure painting, with most pieces striving for higher reach.
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