08 Dec 1933
Page 1
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This newspaper page contains 8 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Dec 08, 1933
Page
1
Barnard College semi weekly periodical lists its editorial and business staff for the 1908 issue. The document names editors, writers, exchange editors, department heads, and business personnel with addresses at Barnard College and Columbia University.
Editorial argues against adding practical painting courses as a wedge to introduce business subjects. It defends intellectual breadth as college’s first duty, notes art is an intellectual activity unlike typewriting. The piece questions reliance on hand skill as a sole criterion for curricular change.
Barnard Bulletin readers debate whether inviting Dr. Luther honors the Nazi regime and whether liberal arts curricula should include vocational courses. Horace L. Friess defends campus free speech while opposing cancellation. A correspondent argues against adding practical art and accounting courses to core liberal arts programs, urging focus on mind and spirit.
A forum letter questions strategies for responding to Nazi and Fascist ideas from Herr Luther. It weighs protests versus listening and argues that hearing him first, then condemning, might influence broader public opinion more effectively than silence or shouted criticism.
Mrs. Dorothy Day, editor of the Catholic Worker, addressed the Newman Club on November 27 in the Conference Room. She outlined the paper’s aim to fight for social justice and provide leadership for workers Catholic and non Catholic alike. Day also described her House of Hospitality for the relief of the poor and unemployed and welcomed offers of assistance from club members.
A Princeton theater piece rides a lively mix of mock academia and worldly farce. John Beal shines with gentle charm, Burgess Meredith delivers sharp humor, Polly Walters sparkles in dancing and song, while Harold Flick skewers Communism in a brisk reception of campus chaos.
The Philharmonic Orchestra featured Mozart works last Thursday with Albert Spalding soloing the D major violin concerto. The program opened with the E flat major Symphony, praised for its clear style and a delicate Minuet. The concert closed with Respighi's Church Windows, though the reviewer could not hear that portion.
A reader’s note lists four titles with brief descriptors for Testament of Youts Hag’s Harvest Escape and Talifer noting themes of war grotesque quest and human emotion.
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