01 Jan 1863
Page 1
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This newspaper page contains 9 articles. Subscribers can read the full text of each article.
Newspaper
Wooster Republican
Location
Wooster, Ohio, United States of America
Date
Jan 01, 1863
Page
1
The ode laments fallen noble youths who departed with ardor for freedom and did not return. Their deeds are told by every tongue, and their memory remains with honoring Hyves and lasting reverence for the living.
Nelly Conway frets as Amy Kingsley marries Hon Henry Kingsley a farmer and moves to a refined home. She fears rustic duties milking cows and cooking for hungry men yet Amy plans happiness. A sisterly visit is arranged and packing begins, revealing contrasting households.
On a dusty rural visit, Nelly endures jests and loneliness at Amy Kingsley’s farm, where a refined city lady adapts to country life. Arthur Kingsley confesses love, asks for marriage, and Nelly accepts, transforming into a farmer’s wife across a spring move.
A Florence-leR note reports Her Majesty has purchased a novel musical instrument for £160 from Famme of Naples. It combines piano and organ elements in a grand piano shape with two key rows. the upper row plays piano and the lower organ, either separately or together. A Neapolitan professor plays duets solo, using left hand for piano and right for organ keys and stops.
A fragmented lore compares a young girl’s beauty to a soldier’s flag amid life’s struggle. The lines hint at courage, truth, and self-identity as mirrored themes in a fleeting, poetic note.
The fragment discusses preferences in dress between France, Britain, and America, noting women's tastes in fabrics, lace, velvet cloaks, brocade, and diamonds. It comments on fashion trends, Parisian influence, and Anglo-Saxon attitudes toward female dress, with critique of excessive adornment and bobism in women.
A crowded scene at a Military Commissioner hearing features contention over age proof. The exchange centers on claims of being over forty five and reluctance to provide verification, with remarks implying long residency and questions about eligibility.
A reflective portrait contrasts the brutal cost of war with the humane restraint of mercy. It questions violence as a noble virtue and honors restraint, pity, and forbearance over destructive force. The piece laments maimed victims and argues for compassion in combat.
A writer argues that men should display equal courtesy to their wives as to neighbors. He questions superficial views and asks if a husband and wife are not one, noting the absurdity of constant self-bow and self-echo.
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