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Newspaper
The Wakefield News
Location
Wakefield, Michigan, United States of America
Date
Jul 25, 1925
Page
3
A literary figure notes Alaska books sell in high numbers with Rex Beach and Jack London leading. The Spoilers by Rex Beach tops sales, reaching about half a million copies and remaining widely read with numerous editions.
Nearly twenty years after its publication the book drew revived interest when announced as a large scale Jesse D. Hampton film. The first big picture was screened years ago and the new version stars Milton Sills Barbara Bedford Anna Q Nilsson and Noah Beery. It will be shown at the Community theatre soon.
The Eternal City is a photoplay praised for its story cast and settings. Barbara LaMarr Bert Lytell Lionel Barrymore Montague Love and Richard Bennet lead a romance of Donna Roma and David Rossi set in Rome with dramatic wartime separation and a triumphant reunion amid ruins and historic sites.
Virginia Dale writes of Captain Blood stirring crowds and noble onlookers with vivid, splendor filled spectacle. The piece hints at bold adventure and a street level reverie sparked by the pirate tale and its resonant bravado.
A vivid fanfare of piracy and spectacle frames The Sea Hawk at Strand Community Theater. The piece blends swashbuckling action with a bustling crowd and classic stars like Jean Paige and J Warren Kerrigan in a sweeping, high energy presentation.
The scene centers on Connie Sutton played by Sigrid Holmquist at the Malloy boarding house run by Marys mother. Connie and her friend both work at the department store and after a discharge she recalls a middye blouse and a promised introduction to the stage manager by George Archibald, a chorus man.
A vivid portrait of Rome highlighting its beauty glamour and allure as the world savors the capital’s scenic splendor. The narration promises a dramatic showcase of Rome’s life and prestige, inviting awe at its posters and cultural glow.
Sixteen dancing girls rehearsed chorus routines and dressing room scenes under high intensity sunar lights. The Burr organization trucked their lighting system from Glendale Long Island to the Shubert Rivera Theatre at 97th and Broadway New York. Harold Foshay, noted for work with Mr and Mrs Sydney Drew, served as stage manager. dressing rooms were recreated in Burr studio.
A provocative thought on how today’s young people navigate the tension between cherishing youth and trading it for advantage. The piece contrasts eras and suggests values shift as social pressures mount. It calls for reflection on identity resilience amid rapid change.
The scene highlights the installation of lights and space for the motion picture camera to capture long shots. Miss Holmquist acquits herself well as a merry maiden in the engaging chorus, providing lively entertainment.
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