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This newspaper page contains 19 articles. Subscribers can read the full text of each article.
Newspaper
The Potter Review
Location
Potter, Nebraska, United States of America
Date
Dec 23, 1932
Page
2
The piece reflects on Christmas scenes by the fire as a symbol of warmth and family. It emphasizes children as the heart of the holiday, their simple wonders, and the call to goodwill. It quotes carols and Bethlehem's message, urging kindness toward all, especially children, to revive faith in truth and goodness.
The Detroit News explains that Xmas uses the Greek letter chi, the initial of Christ, not a cross. It notes that Xn stands for Christian and Xty for Christianity, with X representing Christ through chi.
A wealthy young man, in fine attire, shows a wistful moment as he watches two poverty stricken children in a shop window. He admits longing to recapture the Christmas spirit and is urged to forget himself and give to someone in need. The scene ends with him leaving in thought of the costly tale.
A comic exchange notes that trousers travel from Australia to England to Scotland, Saxony, and Berlin before becoming a suit. The joke hinges on the irony that so many people profit from the garment while the speaker claims never to have paid for it, reflecting the era’s production web.
A conversation reveals a son is in the medical department hospital, not practicing, with ribs cracked and a broken nose from football. The exchange notes the student is being practiced on rather than practicing himself.
Mrs Ayres recounts an incident under a new building scaffold as paint fell on her fur coat, prompting her husband to purchase a new one. A friend, with a sly glance, asks in a hushed whisper which street the event occurred on.
Willis cites the first frost of last year as September eight. Gillis confirms the date as the occasion of his wife’s reception. No other context provided.
A humorous exchange from Buen Humor in Madrid about a supposed editor missing at the office and a passerby claiming to see him through a window. The joke hinges on a mistaken encounter and a playful misdirection about travel and presence.
A public exchange jokes about a girl receiving £500 for a short love story. The other speaker wonders if cinema rights were sold, but she clarifies the tale went to a jury. The brief humorous exchange highlights witty commentary on literary earnings.
A quoted dialogue reflects on medical discoveries about human anatomy and the provocative view that some natural parts might be omitted. The text presents a terse exchange highlighting tension between natural human form and surgical intervention.
A friend recounts an agreement to confess each other’s faults, but the plan failed. They ceased contact five years ago, illustrating how honesty can fracture trust and end a relationship.
In a light exchange Farmer Corntessel notes Josh’s strong personality helps him stay in college. He adds Josh endures jokes and the campus pictures published in the college magazine without being expelled.
A fragment quotes a remark about multilingual capability and a jokey line about a right hand cap, attributed to a Loser speaker and mentioning Heck-Bicker. The tone resembles a clipped newspaper snippet with character humor and partial dialogue.
A brief Punch caption portrays a polite scene as a woman in evening attire offers a shawl to a companion while the other refuses to be snubbed, highlighting social etiquette and urbane humor.
A brief comic exchange shows a boy asking why a muzzle is on his little brother and the reply that it is to send him to the store for candy. The item captures a humorous newspaper snippet from the Baltimore Sun.
A humorous exchange from Boston features a mother scolding Waldo for wearing overshoes while he defends his feet are in a chair. The light moment captures domestic dynamics and a playful clash over footwear.
First Farmer asks why he should take a drink cure to kill the taste of hootch. Second responds that it is hardly worth it as hootch will do that anyway.
A hotel guest and a resident exchange views over a man’s status. The guest assumes aristocracy while the resident flags the man as the hotel’s headwaiter, highlighting perceptions of class and roles in a hotel setting.
Gemmen and Mose share a light moment aboard a journey back home at a resort scene. They praise the time spent and the charm of the speak-easys they visited, reflecting relaxed mood after travel.
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