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This newspaper page contains 15 articles. Subscribers can read the full text of each article.
Newspaper
The Kemmerer Camera
Location
Kemmerer, Wyoming, United States of America
Date
Jan 31, 1912
Page
9
A timid guest turns into a lifeboat for a hungry burglar who slips from the dining room, bargains for food, and escapes through a window as Goldenhair Camertgiet trembles yet promises a future visit.
A fragmented description describes a wound called Kamehachi disease that appears suddenly with crescentic shape on the lower limb or face. The author cites British Medical and meteorology theories claiming thunderstorm related temporary vacuum effects in the air may cause sudden injuries and mimic the pattern.
Julia Bottomley describes fashion notes on coiffure decoration for opera and receptions. Emeralds, big pearls, ostrich plumes, rhinestones, and jeweled accents frame the plume and cap the ensemble. Feather ribbons roses and velvet bands provide versatile adornment for sewable gowns and dowager styles.
Style notes from an era describe brunettes and blondes in competition for a Paris winter show. Poiret clings to orient themes, discarding the Jupe pantalon while using vivid reds and blues. Olive skinned beauties gain favor over blonde models, with only languorous, mysterious oriental types sought for major shows.
garbled description of a pastel blue thin wool dress for a girl aged 10 to 12 with a short waisted square neck bodice, four piece galloon trim across the edge, front and back panels, gathered ends under the top band, and a panel skirt with deep trim and wide decorative pieces.
Millinery offers fur touches with beaver and ermine for high class styles. Turbans and fure trims encircle crowns, with empire shapes and bow accents. Skunk fur used in trims. various short and long haired furs shown.
The readable fragment hints at a theater title or sketch with playful, garbled lines. Names and clear events are missing, leaving a puzzle-like tease from a page segment.
A vivid inventory describes theater caps made of tulle in autumn fashions. It highlights burnished red and blue hues, fur edging, and mink accents, noting a deepest orange variant with a fur trim and cerine tulle details.
A period guide explains affordable fan decoration using Japanese whalebone sticks, satin ribbons, lace, and cross stitch. It details options with pearl, ivory, or bone sticks, painted scenes, metal spangles, and framed spreads, plus tips to mount on light frames and prevent damage during work.
Advice suggests avoiding cold water after coming in from the sun. Use as hot water as tolerable, then finish with a thorough rub and cold cream for skincare.
A 4.75 inch high and nine inch long wooden scissors holder for three pairs. Built from two wood pieces with simple joinery, back board half inch thick and front inch thick. Tabs or notches secure the scissors, mounted with nails or glue, then painted to match the wall.
A dress gown description notes pale blue viyellas used for the gown with a two sided effect from large embroidered muslin on one side and silk strap finishing the neck on the other. Edges of right front and sleeves trim with silk straps. Fastening by one large button and hole below the waist. Materials: seven yards of 33 inch wide fabric and one yard silk.
The article notes Dame Fashion I endorsing long coats such as ulster and raglan styles. It highlights parate coats, reversible coats, trim topcoats, long tweed, fur cloths for dress, and broadcloths. Emphasis on straight lines for a slim silhouette and two toned fabrics for trimming and lining.
A fragment describes packing lunches with waxed paper to keep flavors separate and maintain daintiness. It details avoiding liquids and glasses, wrapping each item, and using parchment, napkins, and strong twine in a neat lunch basket.
A vintage note describes a waterproof coat with striped diagonal tweed in black white and green, patch pockets and storm collar. It asserts such coats will become the season’s weather wrap, emphasizing practical insulation and style amid emerging trends.
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