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This newspaper page contains 9 articles. Subscribers can read the full text of each article.
Newspaper
The Chronicle Telegram
Location
Elyria, Ohio, United States of America
Date
Aug 10, 1969
Page
8
A roundtable of Met stars shares nerves and thrills before live performances. Leontyne Price says the theater trip is the trigger while Mirella Freni and Vladimir Horowitz describe focus, relaxation, and anticipation as essential.
Review of J C Furnas The Americans covering daily life in colonial and later America. It praises the research scope from pre colonial times to the 20th century and notes humorous, provocative anecdotes on eating bathing and travel.
A fragmented narration hints at a shifting process as the text moves through a book. The line suggests transformation or passage from one form to another within a literary context.
Bernard Miles converted a Thames side warehouse into the Mermaid, a ten year old London theater of community roots and mainstream impact. He mixed audience with performers, used brick sponsorships, lunch shows, and riverfront dining, creating a durable venue that fed Hollywood and West End stages.
Harold Arlen receives a one man LP spotlight from Monmouth Evergreen titled Harold Arlen in Hollywood. The set features eleven top tunes including It’s Only a Paper Moon That Old Black Magic and Over the Rainbow highlighting Arlen as the writer over more famous peers. Rusty Diedrick arranged and conducted the performances with a veteran rhythm section. The article recalls Arlen’s early career at the Cotton Club Revues and notes his painting pursuits and autobiography Happy with the Blues.
David J. McDonald memoirs recount his rise as United Steelworkers president and ally of Philip Murray. The book portrays inner union politics, clashes with I W Abel and John L. Lewis, the Taft Hartley Act impact, and McDonald’s influence during Kennedy and Johnson eras.
The NYPL's Berg Collection acquires Sean OCasey manuscripts, including 25 notebooks and 27 typescript packages, galley proofs, and the unreleased three act play The Harvest Festival submitted to Abbey Theater in 1919. The library paid in excess of $100 000 to the playwright's widow for the material.
Seattle interview profiles Mary Costa a Met singer since 1964 who treats performance as communication. She recalls Disney Sleeping Beauty voice work, early Tennessee roots, UCLA study, and advice from Jack Benny. She notes her Met debut in 1964 and ongoing aim to communicate across venues.
Connecticut summer party leads Evan Hunter to write the novel Sons. The book follows three generations of a family through World War I World War II and Vietnam, arguing America’s maturation and the cost of war for youth. Hunter balances serious fiction with occasional McBain crime detours.
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