The Witching Hour and The Wolf Headline Big Year
The year features great successes and a lineup of eminent American and foreign actors and actresses. Following The Witching Hour comes The Wolf, another major year production with an all star company.
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Newspaper
Cincinnati Commercial Tribune
Location
Cincinnati, Ohio, United States of America
Date
Aug 30, 1908
Page
18
The year features great successes and a lineup of eminent American and foreign actors and actresses. Following The Witching Hour comes The Wolf, another major year production with an all star company.
New York notes Miss Isadora Duncan, the famed dancer, walking barefoot along Broadway to the Empire Theater and Charlie Frohman offices, provoking gasps as cars pause and pedestrians react with astonishment.
Chester offers free vaudeville as the Big Barlow Minstrels begin a nine day engagement at the park with matinee today. The bill includes four comedians five vocal soloists a string orchestra a male quartet and five vaudeville acts plus special features by the Tuscano Brothers and Devere Brothers. The park stays open through Labor Day with shows twice daily and Sunday sessions on three September dates.
Miss Edna Aug a Cincinnati comedienne returns from Europe where she starred at the Follies Bergere in Paris. The Columbia will feature her first local appearance in years, promising sensational entertainment as crowds fill the seats.
The show opens this afternoon at the People's with a two act musical comedy by versatile authors. Miner funded the production with a substantial launch. A bevy of twenty beauties in brunette blond and Titian shades perform on stage. Notable acts include Andy Gardner Ida Nicolai Patsey Roxie and comedy bicyclists Joe Barton Broth er, with Tom Miner bringing a London import. Johnson and Buckley tease the crowd from Fifth Avenue to the Bowery.
The advance notice touts The Outlaw's Christmas as a sensational thriller at Heucks, promising a murder scene a hero's hanging, a female villain, a painter fall, a broken bridge, and Jessie the horse plunging into a torrent as the villain is foiled and the crowd is urged to attend.
Lyman H. Howe returns to the Lyric Theater for a two week engagement featuring largely new travel films from India Sicily Rome Naples Australia Switzerland England and France plus a sensational English steeplechase sequence. Miss Maude Anderson joins the company with modern songs and the bill includes Bancers and Brokers and Roger Brothers in Panama with music by Theodore Morse lyrics by Edwin Madden. The production boasts elaborate costuming scenery and electrical effects and promises colorful pleasing entertainment including the song Playing the Ponies with twenty numbers.
Direct from its engagement at the New Circle Theater New York the musical comedy Play ing the Ponies opens this afternoon at the Walnut. The company features fifty fan makers and stars Madge Lawrence Edward Morris Jimmy Conners Wallace Beery Maud Campbell Linton DeWolfe Lanier DeWolfe Robert Burns and others with the Manhattan Four ballet and a thirty-strong chorus. The end of the piece was written by Aaron Hoffman.
Local amusement week presents Miss Edna Aug back in Cincinnati after two years abroad with Paris triumphs. Also Angela Dolores from Pike Stock Company and her troupe perform Cupid at Home. The program includes Perkins Fisher's The Half-Way House, Free Setters Quartet in The Missing Link, Banks-Breazeale Duo, and short films The Selfish Man and Contagious Nervous Twitching.
Queen City Beach plans a major expansion with a 10 000 square foot open pavilion for dancing and concerts, a free boat service from Cincinnati, more steel row boats, 500 additional rooms, and river slides and towers once the nine foot stage is ready. Also announced is a stage adaptation of Little Nemo with a large cast and a Wormwood animal show continuing through the week at the Zoo.
The musical comedy Little Nemo will open September 21 at the Forrest Theater Philadelphia, produced by Klaw and Erlanger. A New York version is to be staged at the New Amsterdam Theater with about 200 cast members. The production, costing $100,000, is in rehearsal under Herbert Gresham with a book by Harry B. Smith and music by Victor.
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