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The World of Ballet by Oleg Kerensky review
British critic Kerensky defends ballet as a dynamic, boundaryless art form beyond pretty performances. He cites experimental ballets with strobe effects, notes the fusion with modern dance, and praises U S growth from New York City Ballet to regional companies and university programs.
MENTIONED IN THIS ARTICLE
Oleg Kerensky
Coward McCann
Kerensky
United States
New York City Ballet
American Ballet Theatre