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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Oct 25, 1932
Page
1
Barnard College publishes a semi weekly newspaper run by the Undergraduate Association. Editorial staff includes Stephanie Morka and Elinor Remer, class of 1934, highlighting campus affairs and student interests.
Editorial notes that the Barnard Quarterly will publish its first issue of the school year within two weeks amid election distractions. Miss Rosenthal, editor, hints at a policy change and aims for high literary merit and informative content, encouraging fresh student theories in strong English.
A reader in the Barnard Bulletin letters defends President Hoover citing a Times footnote about his hobby of clipping cartoons of himself. The writer recalls wartime scarcity, recalls Hoover as a private bogey man, and argues Hoover is vindicated by the note. A second fragment mentions a student group subscription note and an Austrian visitor’s winter message from 1930.
The Barnard College publication urges student expression on any topic as a vital organ of protest against injustice. It argues that when student organizations document efforts to end abuse or government overreach in the magazine, broader undergraduate commentary will lessen the need for external comment.
The critic praises the play's swift second and third acts and the performances of Emlyn Williams and Pierre Blanchard while criticizing the first act for wordiness. The lighting and set design heighten the mystery as the plot unfolds, culminating in Edgar Wallace inspired tension and a cohesive final reveal.
A Paris themed French language film about a Cinderella like figure who faces worldly accounts. It charms with lively dialogue and a sprightly pace while avoiding vulgarity. Marie Renaud brings refined acting to a spontaneous, buoyant performance.
Review notes the Norma Shearer and Clark Gable film as lively yet uneven. It praises Shearer’s performance and makes clear the production compresses a five hour play into two, with a weakly chosen set of asides and cast in unfamiliar dramatic material.
The Philadelphia Orchestra under Stokowski began its New Season with Brahms First Symphony and excerpts from Wagner. The conservative program avoided ultra modern works and drew a responsive audience, highlighted by notable Philadelphians.
The first of six student dance recitals by Edwin Strawbridge shows a mechanistic style with rigid head and precise limb work. His program of fifteen dances ranges from sea imagery to a Baní folk-dance, with notable assistance from Valeska Hubbard in several pieces.
Barnard students in the Communist Club are urged to monitor the bulletin board for notices of meetings and voting events. The club emphasizes member involvement as a path to influence on campus.
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