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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Oct 18, 1940
Page
1
Barnard Bulletin published by Barnard College students for the Undergraduate Association. It is entered as second class matter October 19, 1928 at New York, with a yearly subscription of $3.00 and single copy price of 10 cents.
The fragment presents a 1940 issue header listing volume year Friday date number and key editorial roles including Editor-in-Chief Business Manager and Managing Editor. No events or articles are shown beyond staff titles.
The page shows Jean Ackermann and Ruth Blumner as members of the editorial board with roles noted as associate editorial board positions. This item lists names and affiliations without additional context.
Barnard College argues for British War Relief while warning against war hysteria and emotional manipulation. The piece urges individuals to support aid for Britain based on genuine humanitarian aims, respect for minority opinions, and protection of rights within a democracy.
Lusa bella misreads a vision then discovers a fire drill at Brooks Hall. Emily, a student, is identified among strangers as the drill ends. Willkie rally mix ups, war relief efforts, and campus political debates unfold across Princeton Vassar and others.
A review of the film They Knew What They Wanted stars Charles Laughton whose enlarged mustache and mannerisms dampen the performance. The plot centers on Tony Amy and Joe with moral clashes due to thePurity code and exile. Carole Lombard has a restrained turn as Amy though overall the film fails to reach the real depths it seeks.
Washington Irving High School opened a ten part Students' Dance Recital series on Saturday featuring Yoi chi Nimura and Lisan Kay. Critics note precise stylized movement, rare freedom within structure, and growing emotional tension as the program progresses. Costumes were ornate and the music spanned Bach to Ibert and Stravinsky.
A New York Holland House show presents contemporary Dutch masters blending old traditions with modern techniques. Lizzy Ansing offers calculated Vermeer like works, Wilm Wouters and Joep Nicolas contribute vibrant portraits, Gerard Hardyk and Karin Leyden display refined textures and color, while Pol Dom presents Portrait of A Young Girl. Dutch Art remains alive and evolving.
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