Barnard Bulletin Details Publication Rhythm
The Barnard Bulletin is issued semi weekly during the college year except holidays and exams, produced by Barnard College students for the Undergraduate Association.
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This newspaper page contains 7 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Oct 11, 1935
Page
1
The Barnard Bulletin is issued semi weekly during the college year except holidays and exams, produced by Barnard College students for the Undergraduate Association.
The piece critiques Barnard College’s Representative Assembly and the ineffectiveness of its Committee of Twenty-Five. It questions the assembly’s value, wonders whether meetings yield real student benefit, and suggests reforms such as scheduling changes and clearer reporting to improve deliberation and prevent the assembly from becoming a comic, ineffectual show.
Barnard College students clarify in a letter to the Dean that no chartered Young Communist League exists at Barnard. They say they are Barnard members of the YCL and would not seek official status, citing potential discrimination and impact on futures, while stressing their commitment to Communist ideals.
An essay recounts Barnard College’s Political Union drawn from the Oxford precedent. It emphasizes fostering polite dissension among undergraduates while avoiding publicized controversy and mentions Dean Gildersleeve addressing brick-throwing as a risk to orderly debate.
The Union hosts the first monthly Mind Meets Mind at the College Parlor on Wednesday October sixteenth. Participants will discuss The United States and the Ethiopian War choosing sides among Italy Ethiopia or neutrality as Peace Week adds urgency.
The critique centers on the play Remember the Day by Philo Higley and Philip Dunning. It notes a simple plot about Dewey Roberts loving his teacher Miss Tunnell, her romance with gym teacher Mr Hopkins, and a boarding school ending. Performances by Frankie Thomas Jane Seymour Frank M. Thomas Sr Russell Hardie and Charita Bauer receive praise. overall the production blends genuine emotion with loose subplots.
The critic lauds Maxwell Anderson and Winterset as a profound Broadway drama blending Greek tragedy and modern social protest. The piece treats idealism over realism, with characters like Mia and Trock revealing a deep tragic sense and timely judgments on justice, hinting at red-flag themes.
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