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Abstraction And Obscenity Film Review
A critical essay on Warhol Morrissey groupies and Trash, examining how abstraction shapes perception of obscene content. It discusses groupies as documentary subjects, Led Zeppelin abuse claims, and the film’s challenge to conventional morality through nonactors and transgressive sexual themes.
MENTIONED IN THIS ARTICLE
Paul Morrissey
Andy Warhol
Robert Weinert
Humobo
Robert Weiner
Columba
Frank Simatra
Elvis Presley
Atlanta
Georgia
New York
Nike
Led Zepplin
Richard Cole
Cynthia
Richard
Jimmie Page
Jimame
Zepplin
Werner
Warhol
Morrissey
Joe Dellasandro
Joe
Upper East Side
Fellatio
Holly