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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Nov 14, 1941
Page
1
Barnard College announces a semi weekly bulletin issued during the college year except vacations and exam periods. The bulletin serves the Undergraduate Association. It is entered as second class matter October 19 1928 at the post office in New York NY under act of March 3 1879. Subscription rate is 3.00 per year or 10 cents per issue.
The November 14 1941 Grace Banner issue lists editors and staff including Deborah Burstein Florence Fischman Judith Coplon and Doris Landre among others with class years 43 and 44 shown for each contributor. The board names include Florence Levine Martha Messler Beatrice Naegeli Judith Protas and Beatrice Naegeli.
Doris Nicholson's letter is cited as support for better student awareness of Assembly actions. The piece argues undergraduates often claim ignorance, but many can attend meetings and express views. It proposes printing agendas in the Bulletin and posting them on Jake boards to inform all students of upcoming topics and times.
The seasoned director Arthur Sircom brings freshness and wit to Barnard's amateur company. He values drama and nurtures younger talent, noting Yale roots and experience with New York groups. He praises The Men Must Fight and expects strong results from the December 5 performance.
Two readers vent grievances about social distance and independence in study at Barnard. They urge student participation, a day student poll, and broader faculty interaction through forums and informal teas. They call Rep Assembly to take action and propose a study plan for mature students.
The Globe Theatre screening of Target for Tonight presents real RAF pilots and officers in a documentary style film about a German bombing raid. It emphasizes the courage and purpose of Britain’s air force, with striking aircraft footage and battlefield realism, suited to viewers seeking informative war cinema rather than entertainment.
A grim tense adaptation of the play driven by Ida Lupino and Louis Hayward. The story centers on a haunted mansion where a harmless-looking mistress shelters doomed sisters. Murder framed as love propels a chilling tale that grips viewers with restrained direction.
The film offers light entertainment as Margaret Sullavan and Charles Boyer showcase charm and glamour. Sullavan’s convincing doctor character and Boyer’s “Dreamboat” playwright appeal anchor a light, amusing, and visually stylish movie with strong sets and witty dialogue.
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