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This newspaper page contains 10 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Nov 10, 1939
Page
1
Barnard College students publish a semi weekly bulletin during the academic year with notices for the Undergraduate Association. It is entered as second class matter October 19 1928 at the New York NY post office under the 1879 act. Subscription rate is $3 00 per year or 10 cents per single copy.
Frorend Di prort kiizasrTH reports a fire incident affecting blocks near Mirtawe Marcolis with local officials and staff listed. Elizabeth Smith and Jane Mantell coordinate coverage as editors.
The list names the Associate Editorial Board and News Board members with class years next to each name. Included are Jean Ackermann Grace Barrett Ruth Blumner Jane Goldstein Elizabeth Koenig Irene Lyons Doris Prochaska Rita Roher Naomi Sells Marion Pratt Zenia Sachs Dorothy Sherman Mary Smith Phyllis Wickenden and others.
The list includes Helen Merle Rak Alberta Bell Fanny Brett Deborah Bursteir Clytia Capraro and others labeled 43, with Denise Donegan Florence Fischman and Marcia Freeman among the ASSOCIATE NEWS BOARD members. The BUSINESS BOARD features Patricia Wringworth Mildred Kolodny Helene Gottesman and additional names.
Staff roster lists Mary Damrosch 42 Marjorie Davis 40 Roberta Hadley 41 Ellen Hammer 41 Katherine Hanly 42 Elizabeth Ba Fay Henle 40 Phyllis Kenner 42 Muriel Margolin 43 Hedwiga Pilecki Rebecca Price 40 Eva Spitz 40 on 42.
Barnard officials endorse a coordinated Community Chest plan to replace scattered drives. It would pool funds for designated purposes, letting students specify allocations while aiming to raise over one thousand dollars this year. College opinion must reach Student Council Representative Assembly or Forum in Bulletin.
The excerpt introduces a Lewis Carroll microcosmic work and explains it will serve as a basis for technical appreciation of the ensuing poem. It states the goal is internal inspiration rather than external analysis.
A collage of student notes lists varied career aims from nursing and social work to real estate and journalism. Several entries reference wartime themes and humor, with desires spanning doctoring, teaching, fine arts, law, and business, reflecting broad fields and personal ambitions.
The piece argues American film makers seek reassurance in national institutions and traditions amid wartime tensions. It praises Drums Along The Mohawk for its patriotic backdrop and Henry Fonda Claudette Colbert performances, while noting uneven story cohesion. It compares to Goodbye Mr Chips as a beloved, enduring Broadway film and calls for more works like it.
Jean Renoir’s Marseillaise and That They May Live portray liberty versus war, with strong performances and a heroic plea for peace. The First Film Concert at the Fifth Avenue Playhouse offers visual flair but uneven music filming, praising Lifar and the ballet while noting flaws in the piano pieces and “photoright” effects.
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