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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Nov 07, 1941
Page
1
Barnard Bulletin describes semi weekly publication by Barnard College students for the Undergraduate Association. It notes second class matter status dated October 19, 1928 and postal registration under March 3, 1879. Subscription rate is 3 dollars per year or 10 cents per issue.
The issue date is November 7, 1941. This entry marks Volume 46, number 11 of the Friday edition.
Florence Fischman 43 and peers join the News Board in town staff coverage across yearbooks. Mary Damrosch 42 Muriel Margolin 43 Anne Gibbons 42 Norma Shoetner 43 JXana Hansen 44 Eisie White 43 Marcia Lawrence 44 Cynthia Kittenband 44 listed among editorial assistants.
A letter argues for immediate educational advancements to reduce discrimination. It suggests conferences on problems facing Negro youths and extending education to Chinese Japanese and Jewish groups to bridge social gaps. The writer emphasizes equal educational qualifications to remove prejudice and urges action now.
Vaughn Monroe leads a 14 piece orchestra to nationwide acclaim as the most outstanding young band leader of the year. The 20 year old former Carnegie Tech student rose from obscurity after joining and then leading bands like Wylie Funk Marshand and finally forming his own group in 1940.
A college narrator describes a year of study and social missteps in a library filled with color turning books. She recalls dates, a Buddhist club encounter, and a laundrymen convention misread as a plague retreat while noting few social engagements this year.
The New Opera Company opens its season with a vigorous revival of Verdi’s Macbeth at the Forty-fourth Street Theatre. Conductor Fritz Busch and the ensemble earn praise for passion and lyric poignancy, with strong work from Jess Walters as Macbeth and Robert Silva as Banquo. Florence Kirk’s Lady Macbeth shows vigor despite youth, and the chorus and principals unite with incisiveness. The review urges audiences to attend and witness the fresh, forceful interpretation.
A favorable assessment of John Ford's How Green Was My Valley praises its sincerity, dignity, and fidelity to Richard Llewellyn's novel. The Welsh miners come alive through Ford's use of the book's own words and tone, though the story's reminiscence structure makes plotting challenging.
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