Barnard Bulletin Publication Details
Barnard Bulletin is issued semiweekly during the college year by Barnard College students for the Undergraduate Association.
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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Nov 01, 1935
Page
1
Barnard Bulletin is issued semiweekly during the college year by Barnard College students for the Undergraduate Association.
An editorial notes graduating seniors faced a November survey from the Barnard Occupational Bureau asking about future plans. It urges the class to avoid complacency, form definite post graduation plans, and address economic factors while acknowledging limits beyond their control.
Students name the best courses they took at Barnard. Economics 1-2 and Government 1-2 appear repeatedly for practical understanding of world problems and policy work. English and Music courses praised for engaging instruction and social dynamics. Revelatory classes include Modern European history and Biblical literature.
New Wilmington Pennsylvania freshmen at Westminster College recently wrote Bible answers on paper. Entries display misconceptions such as The Epistles were wives of the Apostles Revolutions is the last chapter in the Bible and Lazarus is a city in Palestine.
The Barnard College community mourns Charles Sears Baldwin whose quiet generosity and memorable classroom tales left an enduring imprint. Students recall his gentle humor, battlefield stories, and moment of emotion in class, expressing genuine sadness at his passing.
An assessment of the film adaptation directed by Reinhardt, noting his visual emphasis over spoken poetry, the reliance on outdoor fairy sequences, and the use of stars like Dick Powell and James Cagney. The piece commends Mickey Rooney’s Puck, while critiquing a mix of acting talent and Hollywood spectacle that limits Shakespeare’s verse delivery.
The review faults Brian Marlow and Frank Merlin for a weak jury themed play. It complains the six and five characters are muddled, a pivotal death is mishandled, and the drama fails to expose judicial flaws. The critic fears audiences may lose faith in local critics if the production limps on.
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