Barnard Bulletin Publication Details
The Barnard Bulletin is published semi weekly throughout the college year by the Students at Barnard College for the Undergraduate Association.
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This newspaper page contains 7 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
May 15, 1934
Page
1
The Barnard Bulletin is published semi weekly throughout the college year by the Students at Barnard College for the Undergraduate Association.
The piece argues against grade fixation during exam season at Barnard College. It urges students to value learning over A or B marks, noting many top scholars still fear lower grades. It praises the satisfaction of learning and laments exams as the sole measure, urging professors to recognize true understanding beyond纸 ink on a registrar sheet.
A Barnard Bulletin forum protests the nonreappointment of Jerome Klein from Colum bia Fine Arts after his name appeared in the Barnard Catalogue. Students and faculty call for investigation, noting broader retrenchment in education affecting students and teachers nationwide.
A Barnard and Columbia campus dispute is aired with anti war stakes. Readers urge student action to protest Miss Klein’s non appointment and defend a staff member while criticizing university budget secrecy and teaching cuts.
Letter from students Alice Ackerman 36 Sylvia Shimberg 36 Bernice Sutherland 736 Elaine Goltz 736 warns college about odd classes and clubs using Even Study for meetings and dances. They note clutter and noise disrupts rightful study space and urge rooms be reassigned to each group.
Nathan’s Little Theatre presents Ibsen’s The Lady from the Sea, praised for its mystical atmosphere and strong cast led by Mary Howe as Ellida. The review notes structural weaknesses including a weak Stranger performance by Clem Wilenchick and missing lines, but lauds conceptual treatment and 50 years of artistic handling.
A cinema review notes the Rockefellers campaign to educate the public and praises a lavish Madame Butterfly production at the R.K.O. Music Hall. The writer admires the staging and lighting, calls the performance near opera quality, and highlights Anne Roselle as Cho Cho-San while acknowledging strong audience reaction.
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