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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
May 10, 1967
Page
2
Giselle, the pastoral tale created in Paris, is staged by the Royal Ballet this season. The ballet follows Giselle, a peasant girl who loves Count Albrecht, whose true identity shatters her, driving her to madness and an early death.
The issue notes the unready King’s Crown Essays with experimental tone and a Chelsea Girls review plus Warhol interview. It also previews Giselle at the Metropolitan Opera House with Annette Page as Giselle and Merle Park in pas de deux, praising Page and the company’s technique and expressiveness.
A Review of Eugene ONeill's A Touch of the Poet at National Repertory Theatre praising Denholm Elliot as Cornelius and Jeanne Heppie as Nora. The article lauds the compact vigorous structure, sharp irony, strong performances, and Sydow's directing, calling it among the season’s finest Broadway repertory revivals.
Trude Heller debuts a large new discotheque called the TRIE at 49th and Broadway featuring black decor with colored lights and mirrors. Two bands Tommy Strand and the Upper Hand and Jimmy Castor rotate between sets while two dance pairs perform. A TV-like light floor, three banquette rings, and dancing extras create a dynamic late-night space. No liquor license. soft drinks Hebrew National franks popcorn and chips 35 cents. College IDs may reduce admission for students.
Columbia Players presented Feathertop last week blending Hawthorne tale with Puntan dialogue and romantic music. John Litvack wrote the book and lyrics, Bruce Trinkley provided music, while Anthony Acheson directed the production and critics noted strong performances that affected the show's continuity.
At Wibnan Auditorium the musical blends ballet with drama as the company leads a May Day celebration audience sing along. Annette Oliver as innkeeper wife and Gerrit Graham deliver strong comic and musical support with solid ensemble work.
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