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This newspaper page contains 7 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
May 06, 1927
Page
1
An editorialized account quotes President Coolidge denying imperial aims while praising altruism in Nicaragua, Mexico, and China. It notes U S battleships on the Hudson, Riverside romance, and Easter Sunday scenes, questioning whether peaceful heroism will replace warlike bravado.
In a cluttered high school room Virginia and Jill discuss Paul and Jack from last night while two classmates exchange notes unseen by the teacher. The scene captures a typical, restless classroom mood with scattered students and a casual, taciturn energy.
The piece laments half asleep maidens, bored pupils, and a tired teacher. It argues that the reform of the dress system and lecture method could awaken genuine interest in subjects like differential calculus and Zenu's ideas, if classrooms reward curiosity over mere attendance and grades.
A college editorial weighs the value of keeping the Curricular Committee as a fixed body. It questions undergraduate knowledge of education regulation and student input versus faculty deference to committee recommendations. The piece closes with uncertainty about future student influence.
A reader writes to the editor defending U S or Faculty baseball substitutes. The writer argues substitutes were not in the game for a grade but to let the girls participate. They state B grade honors reflect season work and commitment, not a single All-Star appearance.
A fragmentary diary style column recalls spring exams and a busy week as a fleet visits Riverside Drive. The author mocks imperialism and mentions Hollywood, Harry Thaw, a new Paramount opening, and a rainy day in New York with taxis, buses, and a skipped dinner. The piece ends with a quip about college girl poetry.
George Zaslawsky faces the task of uniting recruits from diverse orchestras for the Beethoven Symphony Orchestra. The concert last Friday opened with Glinka's Overature from Russian and Ludmilla, showing uneven tempo and misreadings. The Tschaikowsky Pathetique third movement sped through, with players pursuing individual parts, while the Masserade and Adieu forests pieces showed stronger ensemble and tone. Capriccio Espagnol ended the program with vigor, though overall the evening lacked cohesion.
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