Barnard Bulletin May 5 1936 Adele Hagland ’37
Barnard College student publication issued for the Undergraduate Association. Adele Hagland class of 1937 featured in the issue. Published semi weekly during the college year with standard postal notice indicates second class matter filing in New York.
MENTIONED IN THIS ARTICLE
Barnard College
New York
N. Y
Editorials on College Authority and Student Life
A set of editorials from Carnegie, Washington University, Wilson, and Gaucher discuss student autonomy and curricula. Authors critique excessive college supervision, advocate for time for study, and urge pacifist but radical-avoidant attitudes in student bodies. They call for a clearer peace program and respect for American ideals amid campus movements.
MENTIONED IN THIS ARTICLE
United States
Washington University Hatchet
Gaucher
Gaucher College Weekly
New Barnard Building Ideas From Students 1930s
Readers propose a theatre with acoustics and a hockey field as top priorities. Others call for a conservatory level, squash court, recreation rooms, multiple smoking rooms, elevators, offices for Barnard publications, and various study and meeting spaces, all aimed at enhancing campus life.
Wigs and Cues Engage Barnard Spring Productions
Barnard students discuss the Wigs and Cues spring show and defend the dramatic society’s choices. The writer praises Corpus Delicti and Benito, critiques Good Sante Anne, calls for stronger supporting roles, and urges continued exploration of dramatic values despite mixed reception.
MENTIONED IN THIS ARTICLE
Wigs and Cues
Bulletin
Dramatic Society
Budletin
Benito
Brinckerhoff Theatre
Corpus Delicti
Miss Hendrick
Barnard
Mulatto at Vanderbilt Theatre Provokes Mixed Reactions
A theatre review condemns Mulatto as disreputable in setting and execution while audience laughter erupts at adulterous references. The piece recalls a past outburst defending Southern honor and notes the play’s long run suggests financial persistence despite criticism.
MENTIONED IN THIS ARTICLE
Go'gah
Lefty
Bovingdon’s Mono-dramas: pantomime with voices and light
John Bovingdon presents portraits of a Changing World focusing on Russia and Germany. He uses only his voice and minimal movement, aided by lighting, with prologues shaping each piece and culminating in tense, panicked scenes such as The Underground Printer. He envisions a future for this dramatic pantomime form.
MENTIONED IN THIS ARTICLE
John Bovingdon
Bovingdon
Russia
Germany
Paradise
Hitler
Goebels
WPA Theatre Presents Week of National Music Events
The theatre division announces a week of evening concerts from May 3 to May 10 at the Manhattan on Broadway and 53rd Street. Features include a May 3 concert by Aainon orchestra, a Wednesday string event, and a teaching methods demonstration with results shown Saturday. Tickets are offered at nominal WPA prices.
MENTIONED IN THIS ARTICLE
National Music \eck
Theatre Division
WPA
Om Federal Theatre
Aainon Orchestra
Manhattan
Broadway
53Rd Street
Also Mentioned on This Page
Barnard Bulletin
Adele Hagland
Marion
Patterson
Frances Henderson
Edna Holtzman
Ruth Insche
Jacqueline Barasch
Bernice Bachrack
Edith R. Cohen
Cornelia Elliot
Helen Hartmann
Ruth Kleiner
Jean McGleu
Helen Raebecke
Ruth Frankfurter
Elaine Glastow
Flora Ginsburg
Jane Harris
Natalie Flatow
Shirl Rothenberg
Evelyn Lichtenberg
Jessie K. Herkimer
Claire Avnet
Pauline Auerbach
Lenore Schanhaus
Anne Baranofsky
Julia Fisher
Marion Hellman
Adelaide Murphy
Helen Costello
Helen Daniels
Bernice Breitbart
Amy Schaeffer
Kathryn Smul
Elizabeth Swinton
Jean Bullowa
Ellen T. Smyth
Alice Warne
Dorothy Preis
Nancy Fraenkel
Editorial
Carnegie
Carnegie Tartan
Wilson
A. H
E. H
Barnard Publications
H. R
M. H
Barnard Hall
Jungle
K. K
E. W
H. K
J. W
M. S
A.C
J. D
F. G
S. A
N. F
Vassar
E. S
A. W
E. F
South Hall
Milbank
R. E
R. B
Mulatto
Vanderbilt Theatre