01 May 1933
Page 1
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This newspaper page contains 7 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
May 01, 1933
Page
1
Barnard College students publish this semi weekly issue for the college year excluding vacations and exams. The publication notes its home in the Undergraduate Association and carries college news and notices.
A catalog of newsroom personnel including Editor-In-Chief Gertrude Epstein and multiple managing editors such as Anza Tacobson Edith Rane and assistant editors Blarche Goldman Sally Gebman Nannette Neibditz. It lists news board members exchange editors and About Town staff along with dates or identifiers for staff roles.
A Mortarboard 1934 review excerpt praises the book as memorable and versatile, noting its dedicated New York City focus, original etchings, and enduring shelveside presence. The piece reflects on civic pride amid urban hardship and the work of youth toward economic security. (Continued on page 4)
An editorial traces May Day from ancient spring rites to its modern politicized celebration. It notes how early Christianizers absorbed pagan customs and how Hitler and Marxists use the festival for propaganda, asking whether workers will embrace the new interpretations or cling to older beliefs.
A dense cut of a theatre page recounts performances with names like Burgess Meredtt and Red Barry and references to slapstick scenes. It describes stage atmosphere and audience reaction while noting the youngest actor and an ensemble's efforts, though many passages are unreadable.
The piece features Hardie Albright as a conservative young man delivering a creditable performance. Bette Davis is charming and straightforward, with Mr Arliss playing a theatrically stagy role amid a mix of irrascibility and humanity. The music and lighting emphasize visual impressiveness over orchestral detail.
The text reviews a film with Capivating infant and Chevalier, noting the protagonist's unique presence and the film's gaiety. It highlights the infant’s natural performance and Chevalier’s exuberant energy, calling the overall portrayal clever and engaging.
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