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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Mar 25, 1941
Page
1
Barnard Bulletin issues for the 1940s list staff roles including editor in chief business manager managing editor and other positions. The paper notes its semi weekly publication during the academic year, with postage and subscription terms, and contains student name listings and staff credits.
Students urge stronger discourse at Barnard outlining aims for a debate club and improved speech. They warn that apathy in the Representative Assembly leads to misunderstanding and social isolation, stressing clear thinking, writing, and speaking to foster a progressive student body.
A college senior recounts a late night panic about being confined inside dorm life after curfews and missed outings. The narrator imagines death from social isolation and writes a final dying speech, concluding with the warning Never major in English Lit.
Rumor says a new spring fashion features red on white or creamy tan speckles with rare black and white varieties possible at Barnard. Staffers of Bulletin tease the trend causing some to skip classes for fashion shows on Johnson Hall. If curious, visit the Medical Office in Barnard Hall or request Bulletin to send fashion advisors.
Review notes Capra and Riskin blend harsh everyday life with a social conscience as Gary Cooper acts as John Doe. Barbara Stanwyck crafts the fake letter that sparks a national wave, while Edward Arnold and Walter Brennan support a tale that ends unresolved and uneven but still thought provoking.
The Don Cossacks chorus, praised by Deems Taylor as the finest singing group, returned to Carnegie Hall for a three part program of religious music Russian classics and folk songs. The troupe features a new dancer and the historically imprisoned origins deepen the moving performance.
The Columbia University Symphony Orchestra under conductor Herbert Dittler filled the McMillan Theatre with a capacity crowd for a spring program featuring Beethoven Symphony No. 8, Copland Outdoor Overture, and Schumann Piano Concerto with Ray Lev as soloist. Miss Lev drew sustained acclaim for a dynamic, powerful performance, and the ensemble received enthusiastic applause throughout the evening.
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