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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Mar 15, 1932
Page
1
Barnard College students publish a semi weekly issue for the Undergraduate Association. The paper operates during the college year excluding vacation and exam periods and is issued in March as part of volume thirty six.
The document lists multiple editors and staffers by role and class year including Editor in Chief Helen Block and Managing Editors Evelyn Raskin and Gertrude Epstein along with numerous assistants, copy editors, and department heads across departments such as News, About Town, Advertising, Circulation, and Printing.
The bulletin defends Barnard's urban social life, noting city amenities supplement college life. It arguesTeas clubs and social events foster student contact and outlines a proposal to reform the Undergraduate Treasury System by letting club treasurers pay small expenses directly, with records kept and centralized checks for large payments retained to boost efficiency.
Twelve hundred members of high and grade school newspapers attended the eighth annual convention of the Columbia Scholastic Press Association on March 10 to 12. Professor Adam Leroy Jones welcomed delegates as Dean Carl W. Ackerman urged students to study metropolitan journalism, citing Adolph Ochs Arthur Brisbane and Roy Howard as models.
Circulo Hispano performed Lope de Vega's Peribanez and El Comendador De Ocana featuring Millicent Wood as Casilda. Lucienne Cougnenec gave a strong Machiavellian Comendador. Metropolitan presented Debussy Pelleas et Melisande March 10 with Lucrezia Bori as Melisande and Edward Johnson as Pelleas, Whitehill as Golaud.
The passage argues Barnard’s social life differs in kind but not in degree from other colleges, noting variations without implying inferiority. It emphasizes recognizing unique campus culture rather than ranking it against peers.
Dutch American composer Bernard Wagenaar premiered his new String Quartet with the Gordon Quartet at Town Hall on Wednesday March 9, a cycle marked by a terse concise style and a moving finale. Carnegie Hall hosted his Die Chinesische Flote inspired Chinese Songs sung by Harriet Van Emden with Lucile Lawrence and Quinto Maganini providing instrumental support.
Doris Humphrey and her concert group delivered a polished season finale at the Guild Theatre Sunday. New works The Pleasures of Counterpoint and the Dionysiaques showcased her ensemble artistry and balance with solo highlights Lake at Evening Night Winds and Descent into a Dangerous Place. The performance supported the New School for Social Research with Martha Graham slated for April 3.
The Columbia University Orchestra led by Douglas Moore will perform their third concert of the season tonight at 8:30 in the McMillin Academic Theater. Alexander Harsanyi will serve as violin soloist, with Barnard students among the performers. The program includes Symphony No. 7, Sarasate’s Zigeunerweisen, Debussy’s Prelude et Danse from Le La, and Rimsky Korsakov pieces. the event is open to the entire student body.
The Purim Festival of the Menorah Society of Barnard College and the Jewish Students Society of Columbia College will be held Monday evening March 21 at 8 15 in the Auditorium of Casa Italiana Amsterdam Avenue and 117th Street. Admission is limited to paid members of both societies and invited guests. The program features the Ackson Trio instrumental numbers songs and solos by a Russian baritone cantorial selections by Cantor Nathanson and dancing afterward with music by Arthur Lelyveld's Columbia Ramblers.
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