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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Mar 14, 1963
Page
1
The bulletin announces the appointment of Barbara Sheklin and Sue Silverman to the position of Associate Feature Editors. Both journalists take on new editorial roles to shape feature coverage and storytelling.
The bulletin urges student body members to vote yes on the referendum proposed by Nancy Neveloff 64 President-Elect of the Undergraduate Association. Polls are open today until 4 p.m and tomorrow from 11 a.m. to 4 p.m with voting also in dormitories at breakfast and dinner.
A Tuesday demonstration failed to sway the New York State Assembly against a proposed $400 yearly tuition for undergraduates at the State University. The City University may face a $2.5 million cut unless city colleges raise funds, though 40,000 students attend without paying tuition. The Bulletin urges defeating tuition to preserve free college education in New York City.
Caleb Hornbostel and Cyrus Hornbostel donated two Dutch portraits from their father’s estate honoring the late Dr. Edgar Park of Wheaton College. The wood panel works, dated 1662 and signed Jn Aeckerbeck, depict Helena Teeckemannes and hang in the Deanery.
The Fifth Annual Columbia Barnard Festival of the Arts runs April 19 to 29 featuring visual arts in Hewitt Lounge, poetry by Robert Pack, performances by the Columbia University Orchestra, chamber music, jazz groups, and a Modern Dance Recital at Minor Latham Playhouse. Prizes honor outstanding works. Alpha Phi Omega sponsors the event highlighting student, faculty, and alumni creativity.
Barnard College letters page asks for acknowledgment of a New York World Telegram and Sun feature last October or November on Broadway and 116th Street traffic. The piece spurred city action, and the writer, Huberta Holland 65, urges Barnard to show appreciation.
The article profiles Peter Cook, star and coauthor of Beyond the Fringe, recounting how he and three peers created their satirical show. Cook recalls their four semanas of writing humor at Cambridge and Oxford, revealing his stance against capital punishment and the era’s cultural revival while noting his limited anger and focus on personal experience.
Review says George Bernard Shaw’s Too True To Be Good falters despite a starry cast led by Lillian Gish and Cyril Ritchard. Production at the 54th Street Theatre, directed by Albert Marre, is criticized as wordy, slow, and poorly acted with uneven performances and weak plotting.
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