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This newspaper page contains 7 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Mar 12, 1926
Page
2
Herr Montor delivered a moving and convincing reading of a play to members of the Deutsche Kreis. After the performance he shared tea with the group as the event concluded.
Signorina Zeni Sadero presents a recital at the Italian Club tea on March 19 in the College Parlor. The program features Venetian Gondoliera, Sicilian Amari, In mezzo al mar, Ninna-nanna, Stornellata, Shepherd’s Song, Tarantella, and other 17th century pieces, with Baldwin Piano and publishers G Ricordi and Schirmer listed.
A fragmented OCR item notes Pro Lichtenberger giving a talk at a Journal Club tea and mentions related social clubs and a meeting date. The readable text is garbled with repeated fragments and does not state a clear outcome or details beyond the event mention.
Fragmented OCR discusses curricular reform principles and evolution in education. It references evolution doctrine, language requirements, major studies, and year by year course outlines with emphasis on science literature philosophy psychology and arts. The text mentions Cornell and a problems club context in historical education discourse.
Senor Aguirre Agu delo, a Colombian writer and poet, spoke to the Spanish Club Lea about Spanish American poets on March 4 in the College Parlor. He read several pieces including one he said he wrote for the meeting. Tea followed the lecture.
Bulletin board notice lists graduate fellowships in diverse subjects. Scholarships include $500 each, $140 for six awards, foreign traveling fellowships at $1000, and European university scholarships covering tuition and living costs. Named institutions include University of Bordeaux, Lyons, Nancy, Strasbourg, Toulouse, Grenoble, and Paris. Students should consult Milbank Hall bursar's office for details.
Mrs. Wylie opposes advice on what type of novel to write, arguing each author has a best form. She defends descriptive writing as the core of her works and cites The Venetian Glass Nephew as an example. She notes future American set work requires much research and cautions against being labeled erudite.
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