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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Mar 11, 1965
Page
1
Barnard Bulletin notes its semi weekly publication by Barnard College students for the Barnard Community. It lists second class matter status from Oct. 19, 1928 and post office entry in New York. Subscription is five dollars annually.
An editorial argues Barnard College should educate students on personal ethics without policing private behavior. It questions private life regulation, suggests a voluntary, well publicized program from Undergrad or combined Barnard-Columbia admin bodies, and calls for broad, balanced viewpoints and student questions.
The Columbia Players present Grand Parade to Paradise by Michael O'Sullivan with Anthony Acheson directing. The world premiere in Wolfman Auditorium is praised as the most professional show on the stage in some time, combining stark set simplicity with intense emotional impact.
Musicians perform across five concerts including a Folk Jazz and Columbia Orchestra, with Brian Trentham Quartet and Rand Blake among soloists. The Arts Festival also features a dramatic production Grand Parade to Paradise highlighting a cast led by Stephen Marineau and Peter Buffett in a staged exploration of disillusionment and revival.
A letter argues to create an overall Orientation chairman elected at large by resident students. The day chairman remains and the junior representative to Dorm Exec becomes co chair, while a junior resident of Brooks Hewitt or Reid would hold the overall post. The goal is broader participation and reduced dorm dissociation.
The narrator explains pulling down signs and halting ads for a dormitory art show at Barnard. Last year’s event was praised for talent, but this year publicity failed and residents showed reluctance to participate, blaming neither the students nor the organizer alone.
A small group of Columbia seniors including Nacoms and Sachems performed in the Senior Show Allis Vanity on Friday night March 5. The in jokes puzzled most, but several skits amused. John Burke stole the show while Edward Morris directed taped calls about record hops and Robert Kennedy's Columbia appearance.
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