Barrard College Undergraduate Association Publication
Semiweekly college bulletin published by Barrard College Students for the Undergraduate Association Vol MA lar 6 1493 No 32.
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This newspaper page contains 8 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Mar 06, 1931
Page
1
Semiweekly college bulletin published by Barrard College Students for the Undergraduate Association Vol MA lar 6 1493 No 32.
A listing of editorial and staff roles with names and class years for the school paper. Includes editors in chief managing editors copy editor and various boards, along with printing advertising and circulation staff and faculty contributors.
In a Broadway review the melodramatic play Five Star Final is deemed implausible yet seen as bitter tragedy in light of a New York case. The sixteen year old daughter of Vivian Gordon kills herself from public shaming over her mother’s past, implicating a corrupt press culture. The piece calls for reform and restraint in journalism.
Anta Delice, chair of the Student Library Committee, appeals to Barnard students to avoid losing or damaging books. She notes the library serves over a thousand individuals without a special fee and stresses personal responsibility to prevent costly replacements and time spent locating missing volumes.
The article notes nominations for undergraduate officers and a new editor of Bulletin for 1931 32 to be chosen March 12 at a joint meeting. Candidates include Helen Block Beatrice Sagui Ethel Greenfield and Joel Raskin. The editor begins March 7 with new business staff. Flower Boards Chairman nominations on March 16 and other officer nominations on March 23.
The piece railes at Senator Gould for silence in the Senate chamber likening it to a clack of politicians. It laments the era and mocks the musical and theatrical scenes, mentioning Bach and a Paris painter, while praising a Carnegie Hall concert by Gabrilowitsch despite technical faults.
A chaotic review notes the Philadelphia Orchestra performance on a February evening. The conductor led with a steady baton as the string section delivered a lush program while critics praised the overall musical mood.
Art Derain's landscapes are praised for mature design and color, while his portraits are criticized as inferior due to a lack of psychological insight. The critic notes misinterpretations of Cezanne’s geometry, finds flaws in Port d Ollieres and La Route d Ollieres, and praises Le Camp Romains music-like curves while lamenting overreaching stylistic clumsiness elsewhere. The piece contrasts his technical skill with perceived stubborn missteps and calls for self-analysis.
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