05 Mar 1937
Page 1
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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Mar 05, 1937
Page
1
Editorial urges freshmen and sophomores to study the comprehensive survey of student offices and activities. It argues extracurricular participation enhances college life and that reviewing duties and requirements helps students map future courses and field engagement.
The Whitney shows a comprehensive survey of early 20th century American artists led by Robert Henri. Works by Bellows Sloan Glackens and Du Bois reveal urban life, social duty, and vivid technique influenced by French masters. The exhibit highlights portraits cityscapes and working people with bold color and energetic composition. Open until March 12.
A cinema column praises Hitchcock as a top mystery filmmaker yet argues his latest film The Woman Alone shows deteriorating vitality despite flawless acting and original montage. The piece contrasts it with his early works The Man Who Knew Too Much and Secret Agent, suggesting quality decline.
Readers from Barnard discuss adding interviews with notable outsiders to liven the Bulletin. Opinions vary on relevance to college life and whether coverage should extend beyond intra mural topics. Some favor interviews with theatre figures and celebrities, others urge strict college focus.
A Barnard Bulletin reader corrects Tuesday editorial on the Spain peace strike stressing different student groups views including A S A and World Peace efforts. The letter also notes an omission of Else Wang as co writer of the Greek Games Sophomore music and defends its importance.
German Club meeting at Milbank Hall featured color footage from the 1936 Olympics including the torch relay and Parade of Nations. Other films showcased Dresden landscapes and culture narrated in German with music, plus the English segment titled Love of the Son of Apollo.
A humorous campus anecdote circulates about Kentucky University and a jubilant senior den story. Students recall a bill on aid and shared curriculum while dorm seniors hurry through assembly in a vivid, playful scene.
In a jumble of lines the piece mocks prison life up the ICC as inmates groan at a radio jazz riff and a suggestion to rename their home to Swing Swing. The scene riffs on cultural touchstones including St. Louis Blues and a bread slogan, ending with a cheeky line about erudition and Moore and martyrdom.
Fragmentary verses speak of poetry from a future teaching by poets now unborn. The speaker notes time as keeper of prose and rhyme and urges focus on living love and forgiveness as words may emerge from quiet minds.
Fragmentary text argues against delaying action and urges readers to confront peril now. It discusses writers influencing society and planning to counter versive tendencies, ending with a puzzling phrase about life and a note of continuation.
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