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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Mar 01, 1965
Page
1
Published semi weekly during the college year by Barnard College students for the Barnard Community. Entered second class matter Oct. 19, 1928 at New York Post Office under the 1879 act. Subscription rate five dollars per year.
The editorial plan calls for broader news coverage, more varied features, and deeper behind the scenes reporting. It proposes looser housing rules, a 2:30 curfew for upperclassmen on weekends, curriculum changes, and a stronger staff with enhanced business and collaboration with the Spec tator.
Barnard students are urged to display talents in the Columbia University Festival of the Arts running April 9 to 25. Alpha Phi Omega coordinates the event with concerts, exhibits, drama, poetry readings, films, folk dances, and student symposia. Budget doubled after last year’s success, funded by Columbia College, Barnard, and the Chaplain’s Office.
Columbia announces two world premiere productions for the spring semester under General Manager John Litvack. The world premier Grand Parade to Paradise by Michael O’Sullivan runs March 11-14 at Wollman Auditorium, directed by Anthony Acheson, featuring six diverse characters in a tragicomic clash of life and society.
The SNCC sub-groups in Selma Challenge and Fund Raising plan new structures with two representatives each for the steering committee, which oversees policy with the New York SNCC Office. The piece also previews Grand Parade to Paradise cast and ticket info, plus The Band's Opera coming later.
The Museum of Modern Art presents The Responsive Eye on the first floor with Op art paintings and constructions lining the walls. The piece urges visitors to form opinions on this controversial modern art trend.
A light column warns readers about common urban pitfalls in New York. It notes smog and crowds at landmarks, blames enthusiasts for overlong ferry rides, and discourages late visits to Riverside Park. It humorously critiques the World’s Fair, the Verrazano Narrows Bridge view, and advises against sleeping on subways.
Alan C. Purves reviews Wigs and Cues Workshop at Barnard featuring four one act plays. He compliments Ann Monroe for direction and the second half, especially Ben Cohen Stuart Greenspan and Robert Blumen, while criticizing the first half and Stefan Rudnicki's handling of In the Shadow of the Glen.
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