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This newspaper page contains 7 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Jun 05, 1931
Page
4
Maurois crafts fluid prose in a mild fantasy tale about weighing the immortal spirit. A physician tests a theory by performing corpse experiments to prove the soul’s definite compound and postdeath departure. The book is short, engaging, but lacks lasting merit beyond its style.
The essay praises Edna St. Vincent Millay as a premier writer and rhythmic master of phrases. It notes her brief one sentence octaves and sharp quips in poems including Not in a silver casket and If to be left were to be left alone. It argues her brilliance but suggests other inarticulate women live richer lives.
Catherine Riegget evaluates Remarque’s The Road Back, noting its stark depiction of veterans returning to peacetime. The critique praises concise prose and strong protest while arguing the characters serve the author’s ideas more than living individuals.
A reviewer praises Craven's A History of Art as a concise vital survey from Giotto to Muralists Orozco and Benton. It highlights his reverse viewpoint, biographical focus, vivid prose, and balanced judgment of modern movements while noting his defense of artistic independence over nationalistic constraint.
A critical review notes Tomlinson's empathy in Turm of the Tide and his perceptive urban essays. It praises his sea shore village portrait and his piece Beauty and the Beas about a cinema experience. The author cites Conradian insight and argues cinema could surpass poetry in challenging ugliness in institutions.
A critical piece on Wedekind’s The Pure Heart and its themes. It contrasts Ferdinand’s wartime memories with postwar Vienna influences and notes the work as a moral sermon on genuine love and spiritual faith, amid a critique of modern cleverness. The passage frames the novel as a quest for transcendent communion beyond cynical intellect.
Evelyn Raskin critiques George Moore's final novel Ultima Thule as a Greek age love tale. The critic notes skilled prose and simple yet subtle depictions of love and life, but finds the work lacking the spiritual inspiration of earlier writings and misses the essence of ancient love life.
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