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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Jan 12, 1950
Page
1
Barnard Bulletin lists semi weekly publication through the college year with breaks for vacation and exams. Post Office at New York NY distributes the paper under the 1879 act with a yearly subscription of 3.50 and single copies at 10 cents.
The Barnard Bulletin reprints an editorial on final exams describing student anxiety and varied study approaches. It notes cramming, coffee and Pep tablets for long nights, and compares exam outcomes to death and taxes while hoping for all A’s.
Miss Dunnock, in the Linda role opposite Lee Cobb in Death of a Salesman, discusses her two life paths on stage and off. She notes a teaching career at Brearley and later acting turning points from flops to major roles. She describes the intense audience engagement and the challenge of Linda’s solitude amid Willy’s fate.
The New York City Theatre Company launched its season at City Center with a standout She Stoops to Conquer directed by Morton Da Costa and led by Celeste Holm Burl Ives Brian Aherne and Ezra Stone. The show ends its run but signals promising upcoming titles The Corn Is Green The Devil's Disciple and one more. Subscriptions for three shows range from $3.00 to $7.50 with casts including Maurice Evans Richard Waring and Dennis King.
The next Focus issue will be reviewed by Professor Robertson. Christmas Focus shows balance across genres including In Perspective, stories, poems, and articles on modern art and literature. The Trustees piece "Dollars and Sense" disappoints by lacking insight into the people behind the names. Fat Mike by Frances Battipaglia stands out as a strong story. The main critique remains the student body’s limited writing contribution to Focus.
Aleine Austin a Barnard alumna wrote a popular history of American labor tracing 175 years of union development up to Taft Hartley and contemporary issues. The Labor Story surveys Knights of Labor Wobblies AFL CIO and labor violence with a pro labor yet not fully objective perspective.
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