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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Jan 09, 1942
Page
1
Barnard Bulletin is published semi weekly during the college year by Barnard College students for the Undergraduate Association. The paper is entered as second class matter October 19, 1928 at New York post office under the 1879 act. Subscription is 3 dollars per year or 10 cents per issue.
The byline lists Grace Barrett as Editor in Chief and Pryilis Kenner in a managing editor capacity. Other named editors include Herren Kanner Sob, Zenta Sachs, Katherine Hanly, and Swimizy Aronow with various staff titles.
The U S now at war prompts Representative Assembly members to choose a relief drive for next semester. Proposals include defense bonds funding scholarships for a German refugee student and civilian defense or entertainment bureaus, plus a fund to purchase defense mechanisms.
In a humorous diary piece Sue Goo recounts cleaning a crowded room full of oddities and family relics. The narrator finds missing items like a little brother and a gym suit, while parents debate turning their chaos into a university study and a zoo exhibit.
A Town review hails Angel Street as top tier Victorian melodrama with taut plotting and strong performances. Judith Evelyn shines as the frightened wife Leo G Carroll charms as a devoted detective Vincent Price gives a convincing husband Patrick Hamilton’s script proves highly effective despite minor flaws.
Professor Saulnier outlines how war mobilization will reshape industry and employment. He warns widespread job losses for auto related sectors, rationing and price controls under a single administrator, and a shift from a free to a planned economy. Sub contracting and defense clinics could absorb workers through training and small manufacturers.
The show earns praise for brisk pace and strong performances led by Danny Kaye who dominates scenes with skill and humor. Eve Arden delivers a fine turn while Mary Jane Walsh lacks energy though the music and staging stand out, leaving Broadway with a polished, entertaining evening despite minor flaws.
A cautious review notes censor limits dim the play’s vigor but finds strong staging and solid cast. Bette Davis shines in a witty, restrained performance while Monty Wooley and Ann Sheridan deliver serviceable turns. The film largely mirrors Kaufman’s sharp Broadway comedy.
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