Convention Remains of the A S A Lob Debrief
The convention boosted the American Student Union’s standing on the American scene as editors praise liberalism and progress. A humorous postscript recalls the Wigs and Cues production with a deer prop mishap and a donated CBS bass drum enabling a distant cannon effect.
MENTIONED IN THIS ARTICLE
A.S.A
Vassar
Lady Mary
Buck
Mary
Bleeker Street
Abercrombie and Fitch
Eaves
Crichton
Walter Hampden
Comptroller’s Office
Columbia Broadcasting System
C.B.S
Reminiscences by Elisabeth Pratt On Wigs and Cues
Elisabeth Pratt, president of Wigs and Cues, reflects on backstage tribulations and a hastily returned buck or heifer prompting insight into the theatre world.
MENTIONED IN THIS ARTICLE
Elisabeth Pratt
Wigs and Cues
Drowning in Books As Reviews Sweep Reader
A reader laments an overwhelming flood of new books and prolific authors. He recalls the abundant past and longs for quiet, torturously chasing time to read. He cites Gertrude Stein Wolfe and a sense of endless literary avalanche engulfing him.
MENTIONED IN THIS ARTICLE
Gorgan
Gertrude Stein
Wolfe
Eugene
Reader Opinions On The New Quarterly
A collection of reader and staff notes praising and criticizing the latest Quarterly. Comments range from improved non morbid content and readable stories to calls for more fiction and contributors. Mentions include Porgy Remer Oxford Marion Halpert and various names with 1938 1941 dates.
MENTIONED IN THIS ARTICLE
Porgy Remer
Oxford
Marion Halpert
M. W
Orson Welles Brings Life to Julius Caesar in Modern Dress
The Mercury Theatre production under Orson Welles presents Julius Caesar in bare modern staging emphasizing political vitality. Welles as Brutus impresses with sincere portrayal, while George Coulouris and Martin Gabel deliver strong Anthony and Cassius performances in a cohesive, powerful mass scene.
MENTIONED IN THIS ARTICLE
Julius Caesar
Caesar
Orson Welles
Mercury Theatre
Welles
Shakespeare
Cassius
Octavius Caesar
Mussolini
Hitler
Brutus
Hamlet
Mr. Welles
George Coulouris
Anthony
Martin Gabel
E. L
Messiah Performance by The Oratorio Society Impresses with Spirit
The Oratorio Society gave Handel's Messiah with a volunteer chorus coached by Albert Stoessel. The 300 voice ensemble lacked polish but conveyed sincere devotion, while soloists Grete Steuckgold Ellen Repp William Hain and Gean Greenwell delivered mixed but effective performances.
MENTIONED IN THIS ARTICLE
Oratorio Society
Albert Stoessel
Juilliard
Handel
Hallelujah Chorus
57Th Street
Stoessel
George II
Grete Steuckgold
Ellen Repp
Dublin
William Hain
Gean Greenwell
Also Mentioned on This Page
Barnard Bulletin
Publihea
Barnard
Ege
New York N. Y
Enna
Helen Raabbega
Tere Tees
Anne Hupan Vsay
Foxy Hertman
Ann Cottrell
Flora Ginsburg
Carol W. Gluck
Jean McGloughlin
Ara Ponchelet
Dorothy Preis
Mildred Rubenstein
Helen Rome
News Board
Jacqueline Barasch
Doris Milman
Florence Dubroff
Geraldine Sax
Anne Grauer
Miriam Weber
Judith Lenert
Elaine Wendt
Jane Williams
Aeons
Sairt Rothenberg
Eeres Abide
Eens Eevee
Evelyn Lichtenberg
Fay E. Henle
Marion Hellman
Jean Bullowa
Ruth Landesman
Norma Raymond
Phyllis Rappaport
Evelyn Hoole
Eees Exaa Oliver
Fete
Cee Rose Grillo
Shirley Greene
Jean Hollander
Kathleen Richardson
Emma Smith
Marjorie Ullman
National Advertising Service, Inc. College Publishers
Madison Ave
New York
N. Y
Chicago
Boston
Los Angeles
San Francisco
American Student Union
A. S.A
A. I.U
U.S.U
McCracken
Carol Warner
Gluck
New Quarterly
al, M
M. H
H. R
W. A
Dr. Rosenblatt
G. M
D. J
W. H
J. J
L. K
L. B
Handel’s Messiah
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