Barnard Bulletin Issued Semi-Weekly During Term
Barnard College publishes a semi weekly bulletin for the Undergraduate Association. The notice indicates issues are produced during the college year except vacation and examination periods.
19 Feb 1935
Page 1
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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Feb 19, 1935
Page
1
Barnard College publishes a semi weekly bulletin for the Undergraduate Association. The notice indicates issues are produced during the college year except vacation and examination periods.
A Barnard Bulletin reader questions Red Cross defenses of a pamphlet on Spivak and asks whether the Red Cross used background checks to discredit his article. The writer cites charter details, wartime figures, and claims of political influence while urging clearer evidence before publication.
The Greenwich Sinfonietta performed at McMillan Theatre with Mozart’s Two Pianos Concerto in E flat featuring Edwin and Jewel Bethany Hughes, Mendelssohn’s Italian Symphony No.4, and a critical view noting lack of crispness but praising spirit and vigor. The program also highlighted Harpsichord use and discussed future Beethoven and Brahms works planned for February 21.
A Barnard College editorial outlines a campus political union modeled on the Oxford Union. Monthly meetings will host discussions from all viewpoints with participation open to all students. Sponsors include four social science clubs and related groups. The drive supports sustaining the Student Fellowship and runs about two more weeks.
A new free concert series starts February 21 at 4 30 PM in the McMillan Theater. The Brooklyn Symphony Orchestra and Emergency Relief organize the program sponsored by the Columbia Music Department. Mr. Chalmers Clifton conducts the Greenwich Sinfonietta Series experience for the first program. The lineup features early classical works from Beethoven and beyond.
A one man show at MoMA features a large sculpture collection and fine pencil sketches by Gaston Lachaise. The critic praises his vigorous, life sized figures and their dynamic, non idealized realism. Lachaise blends Hellenistic warmth with modern movement in bold relief sketches.
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