18 Feb 1936
Page 1
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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Feb 18, 1936
Page
1
Barnard Bulletin is issued semi weekly during the college year by Barnard College students for the Undergraduate Association. It was entered as second class matter on October 19 1928 at New York Post Office under the 1879 act.
An editorial lauds Miss Virginia Crocher on Gildersleeve for leading Barnard College since 1911. It recalls her installation, the era she sparked, and the progress in women’s higher education from limited rooms to expanded facilities on Morningside Heights.
A forum column presents student opinions on campus life and current events. The piece reflects diverse views and encourages open dialogue among undergraduates while clarifying staff perspectives.
Barnard readers weigh in on examination marking and the influence of a Herald Tribune poll on student political leanings. Letters discuss potential misinterpretation of poll questions and risks of party propaganda shaping Barnard views.
A Brooklyn Polytechnic Reporter survey shows 85 percent of 1935 day students expect employment by October. All BC E degree holders are placed, with 89 percent in mechanicals. UNC co op hires 25 undergrads, earning $15,000 in 1934. a rival merchant fears co op bankruptcy. Tuskegee scientist Dr George Washington Carver highlighted for 285 peanut products. Students at Minnesota Stillwater extension courses show higher scholastic ratings than day students. Irma Toth and Claire Avnet sign off in protest.
A review praises the National Theatre staging of Ethan Frome adapted from Edith Wharton. Ruth Gordon excels as Mattie Silver and Pauline Lord dominates as the tyrannical Mrs. Frome, while Raymond Massey disappoints in depth. Guthrie McClintick directs with Jo Mielziner’s staging. scenery and acting render the play a remarkable folk drama despite a weak prologue and epilogue.
A review lauds the Soviet film Three Women for natural acting and strong female roles in the Russian Revolution setting. Dmitri Shostakovich provides the incidental score, while Z Fedorya I Zarubina Boris Chizov and others deliver standout performances. The piece notes humane themes amid wartime hardship and commends the film’s overall artistry.
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