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This newspaper page contains 7 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Feb 17, 1964
Page
1
The article calls on the student body to fill out questionnaires this week to shape the Honor System. It asks if students want the system to work during exams and to allow books at seats and outside exam use, while opposing a tattling driven "double reporting" approach.
The piece urges voting in the upcoming referendum to determine the form of student government. It warns that a no vote or a rush vote could keep the current unrest, highlighting a revised constitution with a Representative Assembly, elected officers, and multiple committees to shape governance.
A long critique notes that the promised wider format falls short with a distractingly mixed presentation. Ruth Locke, Alice Rubinstein, and Eugenia Rich’s pieces stand out while much of the poetry and prose feel lugubrious, world weary, and lacking internal necessity.
Loraine Botkin reviews Elliot Baker The artist as poet aged nine years past the last day Jesus ever saw and his struggle to create amid distractions. Samson Shillitoe seeks poetry while chaos of relationships, psychiatrists and a prostitute complicate his life.
A Barnard letter calls for cooperative student action to pressure the administration to offer Hebrew in Barnard curricula without extra fees. It notes Hebrew is studied only at the School of General Studies with high per-credit costs, and argues Hebrew benefits both Jewish and non Jewish readers through classical and modern literature.
Anita Pitney notes Kenneth Jones directs a five piece Original Works program at Minor Latham Playhouse. The show opens February 28 with a musical setting of e e cummings Anyone Lived in a Pretty How Town by Daniel Paget and dances choreographed by Janet Mansfield Boares.
The James Room hosts An Other Look at American Impressionists on Tuesday February 18 featuring seventeen painters labeled by Professor Julius S. Held as the forgotten men of American art. Artists include Goodwin Childe Hassam Metcalf and Sargent. The show runs four weeks until March 12.
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