17 Feb 1933
Page 1
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This newspaper page contains 9 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Feb 17, 1933
Page
1
Barnard College students publish a semi weekly paper for the undergraduate association. The issue appears during the college year excluding vacations and exam periods. This February 17 edition is Volume 37, Number 26.
The page lists editorial and exchange staff with roles and class years for the 1930s yearbook staff. names include Madlyn Millner editor in chief and Gertrude Epstein associate editor among many assistants, business and advertising personnel also named with class years.
Butler notes two paths to university status enlarging study options or building on existing colleges. He traces German influence a century ago and cites Johns Hopkins Columbia and Chicago as rare planned upgrades. He discusses Barnard and Columbia as small colleges under a distinct ideal.
The piece denounces alleged censorship by faculty and student authorities in handling Ed Meinfield’s boxing injury case. It argues editors must freely shape public opinion for the college’s best interests, warning against retaliatory suspensions and “gag rules” used to suppress dissent.
New Amsterdam notes Eve LeGallienne in a revitalized production described as briliiging by critics. The review praises inventive staging with large marionettes and intricate visual effects, while calling the plot and acting uneven though occasionally powerful through Old Professor Sawyer.
A fragmentary note on a 3rd production of the year highlighting nameless performers and themes of art and meeting. The text references midwestern colleges, opportunities, and a sense of provincialism amid unfolding drama with uncertain specifics.
A lively yet flawed French American stage farce features three men and four women in a modernistic apartment setting. Dialogue shines despite weak construction and mixed acting. A poodle unexpectedly steals scenes as Paramount studios pursue a cost cut.
Fragmented remarks depict a college editor criticizing authorities, arguing that open press and newspaper publication are essential to expose abuse. The speaker vows to tell accusers what he thinks and rejects professional tyranny by institutions.
The critic condemns Leonora Cortez for a dull recital with Bach and Schumann selections, noting stiff technique and lifeless color. Debussy and later pieces offer a brief lift before the listener body remains bored by a lack of dynamic range and expressive warmth.
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